Frank Lloyd Wright

Frank Lloyd Wright was considered by many to be one of the fin” rel=”nofollow”>inest of William Morris’s Arts and Crafts followers in” rel=”nofollow”>in America. However, this lecture at the openin” rel=”nofollow”>ing of the new century was not
unanimously well-received by the society he delivered it to. Why? Some questions to consider and address, but be sure to answer the last one.

– consider yourself one of Wright’s listeners, an Arts and Crafts practitioner and Morris devotee. What are some of the issues you (in” rel=”nofollow”>in Illin” rel=”nofollow”>inois) might have with the kid from Wisconsin” rel=”nofollow”>in?

– What is Wright’s opin” rel=”nofollow”>inion of historicism? Site specific examples. (see the buildin” rel=”nofollow”>ings below that he makes reference to)

– After re-readin” rel=”nofollow”>ing Raizman, Chapter 5, how do you see Wright’s ideas comparin” rel=”nofollow”>ing to these (be specific)? Raizman places Wright in” rel=”nofollow”>in Chapter 6; should he be in” rel=”nofollow”>in Chapter 6? Is Wright an Arts and
Crafts designer, Aesthetic Movement? Art Nouveau designer, none of these ? Explain” rel=”nofollow”>in.

– How do Wright’s ideas compare with your own ideas of design

– Include an illustration that in” rel=”nofollow”>indicates Wright’s style in” rel=”nofollow”>in the early 20th century. How does his work contrast with the work he is critical of in” rel=”nofollow”>in his speech?

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