Describe the special extinguishing system classifications based upon the class of fire and the burning characteristics of the materials within that class
You are conducting a fire inspection in the kitchen of a restaurant (assembly occupancy) and observe that there is a dry chemical fire extinguishing system protecting the cooking area and hood system. Upon closer examination, the system is out of date based on the inspection tag. What is your recommendation to the property owner, and why? What type of documentation would you provide to your fire marshal’s office?
Describe you feel it would or would not be appropriate to use a dry chemical extinguishing system in a total flooding application for sensitive computer equipment
Describe how Halon (halogenated hydrocarbon) is harmful to the Earth’s ozone layer and the possible extinguishing agents.
Offspring of Men is a 2006 British tragic sci-fi movie co-composed and coordinated by Alfonso Cuarón. The film depended on future; 2027, and how no youngster had been conceived in any piece of the world for a long time. The world had plunged in clutter, with the greater part of the administrations on the planet being fell (From Wikipedia, the free reference book). That left United Kingdom as one of the main staying sorted out society. Subsequently a huge number of exiles entered United Kingdom to look for haven yet Britain had turned into a mobilized police state. Because of which the armed force powerfully kept every unlawful outsider and suspected supporters. A long take is known as plan-séquence or succession shot in French. It is fundamentally a shot that isn’t hindered with any cuts. It endures longer than the traditional time of a shot or altering pace and is a solid innovative device in the realm of film making. The camera continues moving, pivots, goes over the shoulders, change its position however without halting the camera or shooting for even a moment. It is generally used to make an emotional and story impact or stress on a specific scene to catch consideration. It isn’t conceivable to shoot a full length motion picture in one take in light of the fact that a 35mm camera reel normally keeps running for just eleven minutes though an expanded 16mm reels of the tape can keep running up to thirty minutes. In spite of the fact that with computerized video, it is conceivable to shoot for more than two hours on a solitary tape (Bordwell, Thompson, Film Art-an Introduction); for instance in the motion picture Russian Ark by Alexander Sokurov. He could deal with a ninety-six minutes film in a long take. Clearly a long take requires considerably more diligent work contrasted with short takes or cuts in light of the fact that while shooting a long take, there are no spaces for botches. In the case of anything turns out badly, the whole scene would need to be shot once more from the earliest starting point et cetera. So the scenes must be splendidly arranged and performed by the characters. Fortunately, the chief of the film; Alfonso Cuarón is exceedingly known for completing long takes and controlling the recording into smooth long takes. Before Children of men, he had performed effective long takes in Harry Potter and the Prisoner of Azkaban and Y tu mamá también. Despite the fact that the motion picture Children of Men comprises of substantial altering and short shots yet some featuring scenes are done in remarkable long takes. This enabled the chief to complete certain parts of account or non-story frame with the diverse elaborate alternatives. Blending long and short shots additionally makes parallels and differentiations among scenes (Bordwell, Thompson, Film Art-an Introduction). Influencing the watchers to picture the condition of the world and condition they were living in because of absence of peace and barrenness among ladies. The film Children of Men includes various long takes yet with four striking significant ones. In the first which was at the earliest reference point of the motion picture, a bomb impact happened directly after Theo left a bistro. In that long take the executive could accomplish in demonstrating the watcher essentially what the film would have been about. For example starting from the bomb impact and after that gradually floating the consideration towards the boulevards. The autos were old and harmed; paying little mind to being the future innovation had turned around, rather than pushing ahead it had either ceased or was being wiped out. In that long take the executive could catch numerous occasions that sounded good to the watcher. For instance the autos cruising by, abruptly a bomb impact happens, everything close to the impact gets wrecked, shouts of the injured and the general population close-by could be heard. In the second long take scene it was demonstrated that five individuals which incorporated the outcasts who were a piece of an underground protection bunch supporting equivalent rights for all outsiders in Great Britain called Fishes were in an auto, heading towards their hideaways alongside their pioneer Julian and her isolated spouse Theo; an extremist turned unconcerned administrator. That auto scene recovers ones fixation and makes it relatively difficult to make sense of the cameras position. It is bewildering how skillfully the camera points and positions have been arranged without the scene appearing to be amorphous. A few shots are being taken from where Julian is sitting and afterward from the back, from the side, from the best, front and so on. It looked just as the performing artists were making the video themselves. It is relatively unimaginable with the camera moving to a wide range of radical points of view; the on-screen characters are giving out brilliant exhibitions alongside the turmoil. For instance the ping pong ball scene appeared to be too great to possibly be genuine, that by what means would two be able to individuals really do that so precisely without a cut? After which, out of the edge of an eye, a flaring auto showed up, when the driver hits switch outcasts and other maniacs leave the forested areas with sticks and begin assaulting the auto. In all the disarray a motorbike shows up with a firearm and shoots Julian. Without a cut looking after progression, all of a sudden Julian was secured with blood all finished, which gave the watcher a stunning result. The auto that they were driving was totally adjusted as a general rule; the seats could tilt and lower the on-screen characters off the beaten path of the camera. The windshield was intended to tilt to help the camera development in and out through the windscreen (From Wikipedia, the free reference book). Though in Alfred Hitchcock’s film Rope, to shoot the long takes, furniture was ceaselessly being moved and changed and afterward set back to where it was by the spot young men with the goal that the cameras and camera men could move effortlessly. In spite of the fact that like Children of Men, rather than the auto windshield, the dividers in Rope could float and were versatile additionally to oblige the camera developments. In the wake of encountering the initial two long takes, the watcher holds their breath when the following long take comes, expecting something horrible or exciting to happen. The chief didn’t disappoint the watchers and played out a really heart destroying scene. It was the scene in which Kee brings forth a youngster. One can swear that the young lady conceived an offspring, all things considered, uncovering a touch of her substance in the middle of her legs, a genuine crying new conceived infant with its rope still connected, canvassed in blood gets away from the mother’s womb under the control of Theo. It was genuinely a delightful scene, wonderfully directed and achieved. However the keep going major long take scene felt as if a bad dream had been tore out of your own head and put on the screen. Also, what made it more unendurable and tragic was the way it had been shot in a long take of around six minutes. The way camera took after Theo and Kee in the scene in which a noteworthy war was occurring. Ceaseless bomb impacts and open shoot in the middle of the UK’s armed force and the outcasts were going on, individuals continued falling and kicking the bucket, with no cut in the shot the blood sprang from the injured bodies. In only one scene so much was going ahead without portrayal. The executive could catch in excess of one extraordinary execution. We could see Luke taking without end Kee on a wheel seat and at a similar minute alternate individuals from angles were going to kill Theo and his partners. Because of the long takes utilized, it was unthinkable for the watcher to lose enthusiasm for the film as something unprecedented, startling or stunning dependably happened. All through the long takes the smoothness of the camera development starting with one camera point then onto the next empowered the watcher to get a more critical peer, maybe an inside look, into the world the characters were living in and truly felt the dangers and threats that they were in right then and there.>