ZXY Company is a food product company. ZXY is considering expanding to two new products and a second production facility. The food products are staples with steady demands. The proposed expansion will require an investment of $7,000,000 for equipment with an assumed ten-year life, after which all equipment and other assets can be sold for an estimated $1,000,000. They will be renting the facility. ZXY requires a 12 percent return on investments. You have been asked to recommend whether or not to make the investment. Your Role You are an accounting manager. Your boss has asked you to review and provide a recommendation on the expansion based on information that has been provided.
agic Realism in One Hundred Years of Solitude Disclaimer: This work has been put together by an understudy. This isn’t a case of the work composed by our expert scholastic scholars. You can see tests of our expert work here. Any suppositions, discoveries, ends or proposals communicated in this material are those of the writers and don’t really mirror the perspectives of UK Essays. Distributed: Fri, 04 May 2018 Enchantment Realism is a term found by craftsmanship antiquarian Franz Roh in 1925, to portray a visual expressions development rising all through Europe. It is realized that a substantial number of basic terms in writing are acquired from painting. Enchantment Realism is one of those terms. The utilization of that strategy drives the creator make the topics and subjects are more nonexistent, freakish and with an awesome dream like quality. Gabriel Garcia Marquez, who is the writer of ‘One Hundred Years of Solitude’, dislikes to be viewed as an essayist of Magic Realism, even it is obvious to see Magic Realism strategy in his novel, he asserts just to be pragmatist absent much misrepresentation in his work. He states, “As the last judgment runs, the wellspring of all creation is reality”. In “One Hundred Years of Solitude” for instance, the banana organization treats its laborers so seriously that they all go on strike. They accumulated in the principle square of the town, where the legislature has them encompassed by warriors outfitted with automatic rifles. At the point when the crowed declines to scatter, the request is given to start shooting, and three thousand individuals are executed. Their cadavers are, at that point, put into the trains and sent off to the ocean, and the entire episode is formally denied to the point that Jose Arcadio Segundo thinks that its difficult to induce anybody that it has occurred. For an European onlooker, the capacity of a legislature to cover up such episodes is for sure extraordinary. Notwithstanding, in Latin America, also in the vast majority of the underdeveloped nations, the circumstance is still more awful than can be envisioned. To the eye of European and North American sound judgment, the profession of the Central character in “One Hundred Years of Solitude” Colonel Aureliano obviously has a place with the domain of enchantment and dream and not of the real world. For, over the span of his vocation he, “Composed thirty two outfitted uprisings and he lost them all, he had seventeen male youngsters by seventeen distinct ladies and they were annihilated in a steady progression in a solitary night… he survived fourteen endeavors on his life, seventy three ambushes and a terminating squad. He survived a snooze of strychnine in his espresso that was sufficient to execute a pony. He rejected the Order of Merit… He rose to be the president of the progressive powers with purview and charge from one outskirt to the next and the man most dreaded by the administration… Although he generally battled at the leader of his men, the main injury that he got was simply the one he gave. He shot himself in the chest with a gun and the slug returned out through his without harming any crucial organ”. (Márquez, 2003) Right off the bat in the novel, a strange young ladies arrives who either can’t or won’t talk and whom they call Rebecca. She carries with her the ailment of a sleeping disorder of which the most fearsome part, as an Indian lady clarifies, “was not the inconceivability of dozing, for the body did not feel any weakness whatsoever, but rather its unyielding advancement towards a more basic indication; lost memory.” Melquiades, a man of letters found its cure however before him, Jose Arcadia has just created a memory machine in which he has recorded very nearly fourteen thousand sections. World, along these lines, turns into a slave of word reference as it declines all plausibility of progress by defeating the loss of memory. It isn’t hard to check various explanations behind these clearly mind boggling subtle elements, which Gabriel Garcia Marquez gives in his work, yet the most persuading one is, maybe the conspicuous everyday reason for empowering him to dodge restriction. Marquez’ method has likewise been portrayed as a sort of account ‘overstatement’ which tries to extend the sensibility with which we see the world we live in. In One Hundred Years of Solitude, Marquez’s characters are regularly blessed with a sort of otherworldly power. Aureliano can see what’s to come. Remedios The Beauty is taken up into the mists as a perfect being. Melquiades survives passing, and remains on earth as a phantom. Ursula picks not to pass on and lives for over a hundred years. In One Hundred Years ofnSolitude, if the goals is solid enough, nothing can overwhelm it. It is superbly workable for individuals to have control over even demise. The characters battle to make and characterize their own particular universes, their battle is against time, history and destiny. One might say that Marquez’ gift of his characters with extraordinary power is an outline of our weakness against powers which stay outside our control. By intersection the fringe of typical plausibility, Marquez helps us to remember the constraints of our own ‘genuine’ lives, yet additionally of the likelihood of survey the world in an altogether unique way. Marquez’s characters battle to control, and to make their own reality. It is through this demonstration of creation that we can really get away from the powers in life over which we have no control. Marquez proposes that writing is the methods by which we can increase comprehension of a world-see not quite the same as our own, and thusly a comprehension of our normal mankind. While legislative issues and belief system have the ability to de-adapt, writing has the ability to help us to remember our mankind. Through creative energy, and workmanship, we can be hoisted from the limitations we look in everyday life, and we can likewise be illuminated with regards to the genuine capability of our lives, and our own particular individual capacity to make and shape our own fates.>