Scenario: You are an employee of Cabot Nutrition, a company that manufactures various vitamins, minerals, and other supplements including infant formula. An employee was found to have tampered with infant formula during production and has since been terminated. On his termination day, the employee became violent and struck his supervisor. Several infants have become ill as a result of the tampering, but all injuries have been reported as non-life-threatening. Two of your employees used this infant formula with their infants, and both infants are ill. You have been tasked with creating a response to this product-tampering crisis.
Charles Dickens’ Hard Times centers around the various connections and associations among characters, and the effect that individuals have on the conduct of others. It is clear all through the novel that few of these connections are uneven, as in they are just in light of a legitimate concern for one of the two gatherings. For example, Tom’s impact over Louisa enables him to control her for his very own great. Additionally, James Harthouse’s quest for Louisa’s love isn’t out of affection, yet basically out of highborn fatigue. Rachel’s impact on Stephen Blackpool enables him to keep up his trustworthiness and respect. At last, Sissy Jupe’s effect on the Gradgrind family is all give and no take, as her expansive creative energy enables the family to at last understand that life isn’t just about the hypothesis of actuality. The most evident case of an uneven relationship in Hard Times is the one between kin Tom and Louisa. This relationship is a long way from commonly valuable, as Tom consistently exploits his sister, exclusively for his very own advantages. The steady lessons of actuality have made Tom’s life vacant and commonplace. In spite of the fact that Tom is enticed by inventiveness of the bazaar, he shows little feeling after being taught by his dad: “In fact, Thomas did not take a gander at him, but rather surrendered himself to be brought home like a machine” (15). Because of the consistent strict lessons of actuality by his dad, Mr. Gradgrind, Tom starts to become burnt out on thusly of life. His enthusiasm for the carnival is representative of his longing to disengage from his dad and his dull presence. By grasping a fairly libertine way of life, every now and again drinking and betting, Tom finds a feeling of opportunity. He needs to get away from the dull way of life and lessons of the Gradgrind family unit and experience another lifestyle. Tom and Louisa adore each other profoundly; be that as it may, Tom utilizes his sister’s adoration for him with a specific end goal to control her to do as he wants. Louisa’s strict childhood keeps her from genuinely scrutinizing Tom’s thought processes, taking into consideration her sibling to exploit Louisa’s affection for him by controlling her into wedding Bounderby for his very own gain. As Tom’s solicitations develop in number and in nature, the two become promote separated. The relationship shared by the two is loaded up with friendship toward the start of the novel, yet Tom’s self-centeredness shreds the relationship. He keeps Louisa oblivious with respect to the bank theft and, at last, his attention on realism exceeds his affections for his sister. Tom’s fatigue with his way of life prompts radical changes in his disposition. A comparative weariness drives James Harthouse to seek after Louisa’s adoration. Dickens utilizes the character of James Harthouse to jab fun at the nobility at the time. Harthouse comes to Coketown with the goal of entering the universe of governmental issues and grasping Gradgrind’s hypothesis of reality, just out of fatigue with his present life. He is a refined and well off man of honor from London, however as the familiar adage goes, ‘cash doesn’t purchase satisfaction’, leaving Harthouse always hunting down better approaches to divert himself. After catching wind of Louisa Gradgrind, he instantly makes it his essential objective to entice the young lady. In spite of the fact that Louisa is safe, this makes her considerably more appealing to him. She is so fascinating to him as a result of her uniqueness. She speaks to another mix of excellence and insight, and her insight into financial matters is unparalleled. By talking about Tom’s betting obligations with Louisa, he misuses one of her primary shortcomings, her unlimited love for her sibling. He only uses Tom’s issue to abuse Louisa’s freshness in relational connections. In spite of the fact that Harthouse’s quest for her encourages prompt her inevitable separation with Bounderby, Sissy Jupe spares Louisa from the egotistical, controlling Harthouse, when she requests that he leaves Coketown: “He was contacted in the depression where his heart ought to have been – in that home of befuddled eggs, where the flying creatures of paradise would have lived on the off chance that they had not been shrieked away – by the enthusiasm of this rebuke” (275). This entry represents Harthouse’s absence of reason throughout everyday life. His awesome riches and position as a privileged person keeps him from each discovering genuine romance, as he will just become worn out on steadiness. His absence of hesitance in leaving Coketown shows how little Louisa really intends to Harthouse. Harthouse’s quest for Louisa is to a greater degree a journey for him to take a break than it is tied in with discovering genuine romance. His takeoff from Coketown uncovers the little consideration he has for the sentiments of others, and his childishness and indecency. This is totally in opposition to the connection between Stephen Blackpool and Rachel. Stephen Blackpool is the quintessential case of a thoughtful and good person. In spite of the fact that he is compelled to battle the troublesome working conditions and dehumanizing way of life of an assembly line laborer amid the Industrial Revolution, Stephen keeps up his ethical quality and trustworthiness, with the assistance of Rachel. Stephen’s home, which initially fills in as a place of refuge from the long working days, is assumed control by his alcoholic spouse, driving Blackpool to float around Coketown. Blackpool’s powerlessness to gain a separation from his hopelessness of a spouse keeps him from moving far from his past inconveniences, however Rachel gives him promising signs and joy, prompting him calling her his blessed messenger. She is the direct inverse of his present spouse, showing characteristics of empathy and affectability. The epiphanic minute in the connection between the two happens when Rachel keeps Stephen’s significant other from killing herself. Stephen awakens and sees his better half prepared to drink poison; notwithstanding, he is mentally unfit to get up and keep her from doing as such: “This time, as though a spell were on him, he was movement less and weak, but to watch her” (102). At that time, Stephen’s disappointment and misery with his life supersedes his standard solid ethics. The pressure his better half places upon him abandons him unfit to control his craving to see her perishes or hurt. He can’t force himself to prevent his significant other from submitting suicide, yet Rachel is. In doing as such, Rachel propels Stephen to maintain his solid character and respect, regardless of the tough occasions. Rachel thinks about his significant other and assumes an indispensable job in pushing Stephen to seek after his real advantages as both a specialist and a man of honor. While his kindred specialists relinquish Stephen because of his convictions about the association, Rachel bolsters him until the specific end, when he bites the dust basically for Tom’s wrongdoing. In spite of the fact that Stephen’s demise enables him to escape from his ghastly marriage, he disregards Rachel and disheartened. Rachel is the main impetus behind Stephen’s activities in the novel and enables him to keep up his actual convictions and ethics about work and life. Much as Rachel urges Stephen to seek after his actual convictions, Sissy Jupe illuminates the Gradgrind group of creative ability and considering. Sissy Jupe’s effect on the Gradgrind family is the most critical relationship in the novel. The strict lessons of Thomas Gradgrind transform the family unit into one goliath machine of reality, while Sissy’s childhood in the bazaar has took into consideration her steady liberality in creative ability. The difference among Louisa and Sissy in clear; Louisa has been compelled to think with her head, while Sissy thinks with her heart. Louisa hasn’t been permitted to be enthusiastic about anything, and her submergence in actuality has contained her longing for opportunity. Sissy assumes an essential job in empowering Louisa to uncover the warm and enthusiastic characteristics she has within her, regardless of being raised in, for example, cool climate. Actually, Sissy’s sentimental state of mind in the end permits the whole Gradgrind family unit to understand that there is something else entirely to life than only certainty. Thomas Gradgrind is at first frustrated by the carnival performers and they speak to creative ability and optimism. These performers utilize their creative abilities to discover joy, something that has dependably been deficient in the Gradgrind family unit. Sissy’s huge creative energy and hopefulness is shown by her conviction that her dad has relinquished her just to attempt and enhance Sissy’s life. She communicates these slants to herself, keep up the conviction that her dad will one day come back to her: “O my dear dad, my great kind dad, where are you gone ? Tou are goue to attempt to benefit me, I know! Tou are left for the good of I, I am certain. Furthermore, how hopeless and defenseless you will be without me, poor, poor dad, until the point that you return!” (44). Sissy’s conviction that he father has left the carnival for her prosperity unmistakably appears differently in relation to Gradgrind’s instructing of certainty. That being stated, this demeanor encapsulates Sissy’s confident mindset, which in the long run dismisses on the Gradgrind family unit. Not exclusively does Sissy help Tom discover asylum with her old bazaar performers, however she additionally helps Mrs. Gradgrind perceive the void that has existed everlastingly inside their family, the absence of creative ability inside the family unit. While Mrs. Gradgrind can’t unmistakably express this before her passing, she perceives these characteristics in Sissy. Mr. Gradgrind at last discovers that his accentuation on certainty has denied his family joy for a long time. Gradgrind acknowledges the way that his lessons did not create joy; consequently, he delegates Sissy to help in Louisa’s advancement as a person. With Sissy’s assistance, Louisa is headed straight toward building up the perfect equalization of certainty and creative energy>