Review the brief summary of each of these theoretical models. If you were working with a client in a crisis situation, which one of the contributing theories/theoretical models would you prefer to use as your primary focus? (There will be a screenshot of the document in additional material, this is where you will decide from). Although all of the theoretical models have something to contribute, pick the one that seems like the most appropriate for you to use in a crisis intervention. Explain your choice. Go onto the internet, find and explain at least one intervention technique that is used by the theoretical model that you have selected.
Jane Eyre as a Fairy Tale The fantasy ace plots of clothes to newfound wealth and great versus insidious are repeating subjects all through stories from a wide range of societies. Charlotte Bronte’s Jane Eyre, can be compared to a fantasy, as specific components of the ace plot of the story, as it contains certain parts of customary fantasy stories, for example, Briar Rose and Cinderella. Jane Eyre was one of the primary books with a female writer that was generally perused by the proficient open. Since its first production it has moved toward becoming piece of the artistic ordinance and keeps on being the premise of talk and discussion among researchers even today, over a century after it was composed. Jane Eyre is like numerous fantasies because of the way that there are components of conventional fantasy ace plots, for example, clothes to newfound wealth, great versus fiendish and a lost love found again; and, at last, the ramifications of this is the peruser has a smart thought that the novel will finish with the customary fantasy completion of the characters living “joyfully ever after”. Numerous fantasies, for example, Cinderella include a primary character who is enduring and so as to get away from their enduring they utilize their creative energy as a getaway. In Cinderella the singing winged creatures and talking mice are largely instances of how she utilizes her creative ability to get away from the world that detains her (Cinderella). Jane’s involvement in the red room reminds the peruser that creative energy is essential to Jane, as it is a path for her to get away from the substances of her regular daily existence. The account that Jane makes additionally has a fanciful component to it as she blends the reasonable parts of her existence with dream. We see the principal occasion of this as Jane sits apprehensively in the red-room and envisions a sparkle of light sparkling on the divider; for her, this demonstrates a dream from a different universe (Bronte 25). All through the book, the presence of heavenly occurrences, for example, the one in the red room, typically happen before there is a major change in Jane’s life. As Jane’s takeoff from Gateshead was set apart by her pseudo-powerful involvement in the red-room, her development far from Lowood likewise has a fantasy segment. As Jane is examining what might be the most ideal route for her to increase new work, she is visited by a “kind pixie” who gives her particular counsel to put an ad in a nearby paper (Bronte 101). Jane accepts the pixie’s recommendation and spots the advertisement in the paper with reactions routed to J.E.; through the paper Jane is offered the activity at Thornfield and not long after acknowledges the position. These distinctive paranormal encounters of Jane, share numerous components with stories, for example, Cinderella, where the pixie God mother of Cinderella makes it workable for her to go to the rulers ball and gives the important parts to her to change her conditions. Jane’s ascent from a poor vagrant young lady to a somewhat affluent woman who has acquired a fortune from her obscure relatives is another case of fantasy components that are available in the book. Regardless of whether it be Cinderella or some other clothes to newfound wealth fantasy, coming structure nothing and winding up rich is an all-encompassing topic all through numerous fantasies. Notwithstanding being well off, the character likewise will in general discover genuine romance as a component of the good fortunes that has been presented to them. We see this to be the reality, as Jane winds up with her “Perfect suitor” in Rochester and proceeds to get hitched and lives cheerfully together. The romantic tale component in Jane Eyre is another case of how the story imparts components to the customary fantasy kind. Bronte underlines that Jane and Rochester are a model “genuine sweethearts” by making a relatively legendary scene for their first gathering (Bronte 128). Her relationship of Rochester’s steed and puppy with the legendary Gytrash places their underlying gathering in a nearly fantasy like setting. Afterward, Rochester uncovers that at this underlying gathering, he thought Jane was a pixie who had beguiled his steed, and he over and over alludes to her as a sprite or elfin character, asserting the “men dressed in green” are her relatives. Toward the finish of the novel, when Jane comes back to Rochester, the get-together among them has another fantasy like component. As she is going to acknowledge St. John’s proposition of marriage, Jane encounters a sensation as “sharp, as interesting, as stunning” like an electric stun (Bronte 466). A while later, she hears Rochester’s voice call her name; the voice appears unexpectedly, talking “in torment and trouble, uncontrollably, shockingly, desperately” (Bronte 466). So ground-breaking is this voice Jane cries, “I am coming,” and runs out the entryway into the garden, yet she finds no indication of Rochester (Bronte 467). Despite the fact that Jane rejects the voice of Rochester that she heard as not being black magic or some other type of the fallen angel, she feels that it is the common habitat attempting its absolute best to encourage her and Rochester to meet up and proceed with their relationship, Rochester feels that Jane’s response to him is resounding around him. Using occurrences, for example, this, Bronte makes it extremely evident to us that Rochester and Jane are conventional darlings as well as are the models of perfect sweethearts that are frequently delivered in stories and specifically fantasy stories. Frequently the models of sweethearts can be found in fantasies, for example, Briar Rose and Cinderella. In Briar Rose the Prince is depicted just like the one genuine romance for the Princess as the fence encompassing the stronghold enabled just him to go through, to discover and spare his intimate romance (Grimm 18). The narratives Briar Rose and Cinderella wind up with the Prince sparing the princess and both of them living cheerfully ever after, Jane Eyre likewise finishes comparatively with Jane and Rochester getting hitched. The disclosure, trailed by the loss of some extraordinary love is a component that is available in Cinderella and is additionally present in Jane Eyre. In Cinderella, she can go to the ball and locate her intimate romance, anyway she needs to leave by midnight and she deserts the Prince (Cinderella). The sovereign doesn’t quit searching for her however and can locate his genuine romance again by finding the lady whose foot fit the glass shoe, when he discovers her they are hitched and live joyfully ever after (Cinderella). The connection among Jane and Rochester is like Cinderella, as Jane flees however at last locate each other again, wind up getting hitched and to the extent the peruser knows live “joyfully ever after”. All through Jane Eyre, the component of the fantasy ace plot is available and by utilizing the ace plot, Bronte makes another style of story. Bronte mixes the reasonable parts of the Victorian period life of Jane with the to some degree improbable components from fantasies like Briar Rose and Cinderella. At last, the ramifications of utilizing the fantasy ace plot all through the novel, implies that the peruser will have the capacity to anticipate that that story should pursue a specific example and to finish with the customary “cheerfully ever after”. The finish of the novel completions with the marriage of Jane and Rochester and both of them being exceptionally glad together which is the thing that the peruser has generally expected from the utilization of components of the fantasy ace plot.>