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Clement Greenberg’s 1939 essay “Avant-Garde and Kitsch.”

Section 1:
Hi, in the Documents section of Blackboard, you will find Clement Greenberg’s 1939 essay “Avant-Garde and Kitsch.” You don’t need to read through it with immense concentration (and you only need to read up to page 20), just skim through and make sure you understand the basic concepts, then answer the following questions (you may post as a direct answer to my questions or as a discussion or response to your classmates, if you choose the latter, indicate whose post you are responding to by writing their first name in the subject line of your post):

  1. In your opinion, is his perception of high and low art correct to some degree? If yes, why so? If not, why not? Is high art any more valuable that “low” or “mass” art? Or are they both significant in different ways? If high art is the peak of any one artistic genius at a given time, can mass art then not be considered the marker of a collective whole, an entire population, at a moment in history?

Section 2:

  1. Osmu Tezuka believed comics are a bridge between cultures and often dabbled into adaptations of classic literature into manga. His assumption was that this is an effective way to bring ideas to individuals incapable of accessing them otherwise. However, something else may be at play here as well. If comics are a universal language, does their adaptation of literature then in turn make the literature more universal and more easily understood through comics? For instance, there are certain specificities in local cultures, ways of expression, phrases, traditions, modes of thinking, etc., which are actually quite difficult to reconcile with to someone from a profoundly different culture. But, because of the ‘placeless’ nature of comics, or rather cartoons who have no distinct features bound to any locale, does that make the work itself more easy to assimilate and even agree with, despite cultural differences? Does it become easier to appreciate a foreign culture through comics? Does the universality of cartoons in turn succeed in presenting an accurate portrayal of a different culture or not or does it create an unrealistic illusion?

Sample Solution

ter on, one of the most known methods will be discussed in a detailed way. The facial recognition methods that can be used, all have a different approach. Some are more frequently used for facial recognition algorithms than others. The use of a method also depends on the needed applications. For instance, surveillance applications may best be served by capturing face images by means of a video camera while image database investigations may require static intensity images taken by a standard camera. Some other applications, such as access to top security domains, may even necessitate the forgoing of the nonintrusive quality of face recognition by requiring the user to stand in front of a 3D scanner or an infrared sensor[15]. Consequently, there can be concluded that there can be made a division of three groups of face recognition techniques, depending on the wanted type of data results, i.e. methods that compare images, methods that look at data from video cameras and methods that deal with other sensory data, like 3D pictures or infrared imagery. All of them can be used in different ways, to prevent crime from happening or recurring. ii. How do these technologies work? As listed above, there exists a long list of methods and algorithms that can be used for facial recognition. Four of them are used frequently and are most known in the literature, i.e. Eigenface Method, Correlation Method, Fisherface Method and the Linear Subspaces Method. But how do these facial recognition work? Because of word limitations, only one of those four facial recognition techniques, i.e The Eigenface Method, will be discussed. Hopefully this will give an general idea of how facial recognition works and can be used. One of the major difficulties of facial recognition, is that you have to cope with the fact that a person’s appearance may change, such that the two images that are being compared differentiate too much from each other. Also environmental changes in pictures, like lightning, have to be taken into account, in order to have successful facial recognition. Thus from a picture of a face, as well as from a live face, some yet more abstract visual representation must be established which can mediate recognition despite the fact that in real life the same face will hardl

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