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Community health diagnosis

he primary focus of a community health nurse is to improve the health of the community. To do this involves using demographic and epidemiological findings to assess the community‚Äôs health and diagnose its needs. This assessment is aligned with the module objective “Discuss the elements of practice in community/public health nursing.”

This assignment is not a paper, so there is no cover page. All of the work is completed by completing the attached template. As part of the assignment, you will complete the following tasks: typing data, an analysis of the findings with four (4) references, and community health nursing diagnoses directly on the template.

Compile a range of relevant demographic and epidemiological data found on the community assessment rubric for this assignment. Use the websites listed below, as well as other websites (you can also do a Google search to find the health data you are looking for), gather information about your county and compare it with your state and national numbers.

Sample Solution

Primarily addressing the upper class people of Victorian England, Oscar Wilde lays down a series of aphorisms in a preface that seems unnecessary at first. But in reality, these short statements lay down the basic Aesthetic beliefs that Wilde followed, including the concept that art should be separated from morality. Thus, The Picture of Dorian Gray acts as a defense of the Aesthetic movement, explaining the advantages of a pleasurable lifestyle and the superiority of art. Yet, contrary to its preface, the novel also presents the idea that such a lifestyle, absent of moral responsibilities, leads to eventual destruction. Wilde's preface supports the Aesthetic principle that art should be enjoyed for beauty alone. Unlike the Victorian standards of judging art based upon an underlying morality, Wilde insists that those who create and admire art only do so because it is beautiful. Indeed, he notes how the artist can only be the creator of "beautiful things" and that "there is hope" for those who "find beautiful meanings" (Wilde, 1) in what the artist creates. The creator and the admirer are thus linked by their love of beauty. This is the ideology of the Aesthetic movement, which believed in "art for art's sake". The preface acts as a declaration of aesthetic beliefs, in order to introduce a new way of looking at art. Telling the reader that "there is no such things as a moral or immoral book," (1) Wilde challenges the idea that art, and novels in particular, should be judged by the messages they might convey. Instead, books should be simply based upon whether they are "well written or badly written" (1). In line with the Aesthetic thinking, Wilde suggests that art and morality should be completely separate of each other. Art itself does not contain messages of good and evil- these are thrust upon it by narrow-minded critics. To Wilde, "the morality of art consists in the perfect use of an imperfect medium" (1), not in how it shocks or challenges others. The only feeling that art should bring to the viewer is pleasure and nothing more. "Those who go beneath the surface do so at their own peril," (2) because they risk interpreting art based on moral concepts instead of its sublimity. The real beauty of art lies in the fact that it is "quite useless" (2). Art has no other purpose than to please and be admired and should not be complicated by morals or sentimentality. To this end, Wilde's preface acts as the ultimate Aesthetic manifesto: a declaration that art can only be seen as beautiful. Dorian Gray embodies the aphorisms in the novel's preface. Endowed with "finely curved scarlet lips . . . frank blue eyes [and] crisp gold hair," Dorian possesses "all the candor of youth . . . as well as all youth's passionate purity" (18). Wilde describes Dorian's looks as if he were a work of art. People are drawn to Dorian simply because of his handsome looks. Even those who hear evil things about him cannot "believe anything to his dishonor when they [see] him" (131). To the observer, one of Dorian's immaculate looks could not possibly do anything immoral. Thus, regardless of his transgressions, Dorian escapes any consequences of his moral conduct because of his physical appearance. To see Dorian as anything but beautiful would be like viewing art through a moral perspective. But much like art itself, Dorian possesses no other traits besides his physical beauty. To this effect, he is a u

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