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Community Health Nursing

Describe the characteristics of the people you see in Sentinel City: race/ethnicity distribution, age ranges, gender mix.

Signs of poverty/wealth?

Who do you see on the streets-parent with a child, teens, couples, disabled persons?

Anyone in the city you would not expect to see?

Homeless persons, beggars, etc.?

Dogs on or off leash, other animals?

Churches or denominations?

Sample Solution

esistance isn’t enough to collapse a dictatorship, the repeated acts of resistance through music began to build up until the ‘eruption’ happened and there was a revolution. Music played a crucial role in getting people passionate about resistance because of deep semiotic effects it has on the listeners. Therefore, music and politics play a reciprocal role where music affects politics and politics effects music. Political and moral authorities with a sense of how powerful music can be, may use it for their benefit, such as for propaganda. You can alter soldier’s psychological and moral states by listening to aggressive music during military operations. Identities are at once both social and individual and they are the effective connection of life experiences variably prominent in any given instance. Our identities are comprised of what we know best of our relations to self, others and the world. The conclusive link between identity formation and music lies in the precise semiotic character of these activities. Thomas Turino’s theory of semiotics is a useful lens for looking at the unconscious political effects that music often has. American philosopher Charles Sanders Peirce created a theory of signs known as semiotics. A sign is anything that indicates something else. Every sign has three features: the sign or sign vehicle, the objector idea indicated by the sign, and the effect or meaning of the sign- object relation to the perceiver. The effect signs have can range from physical reactions to different thoughts, ideas or memories coming back to the mind of the perceiver. Turino identifies three different kinds of semiotic relationships in music: Icon, index and symbol. These three kinds of semiotic relationships create distinct and powerful responses to the listener. An icon relationship is where people make connections based on resemblance. For example, resemblance in music can be recognising it belonging to a genre as it sounds like other songs that you’ve heard before; you can identify rap music through stylised rhythmic tunes. As Turino puts it, “icons can spur imaginative connections of resemblance between the signs perceived and the objects stood for in light of the internal context of the perceiver”. Whether intended by the artist or not; sounds or lyrics in music may resemble other ideas outside of music to the listener. The second type of semiotic relationship is an index. Indexes are signs that point to

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