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Perrine’s “Understanding and Evaluating Fiction”

Using Perrine’s “Understanding and Evaluating Fiction” questions (94—96), analyze any of the stories in our text that we have NOT read for class. Identify what you see as its theme and show how the elements of form contribute to expressing that theme and support your interpretation.

Sample Solution

Thatcher’s demonization of any form of collectivism that was rendered as “uncontrollable mob activity” in her speeches is, as this essay will argue, at direct odds with The Full Monty’s ethos of community, and while their specific mob consisted of only six men, the film arguably packs enough punch for the thousands the word ‘mob’ implies, outright defying the notions of individualism and a ‘classless’ society that the politicians of the day pushed relentlessly (McGlynn, 2016: 313). The movie opens with a short film entitled Sheffield – City on the Move (1971, J. and M. L. Coulthard) embedded into the screen, the decidedly southern English brogue of the voiceover artist going on to wax poetic about the city’s fundamental place in the booming steel industry, laid over various images of groups of men hard at work, accompanied by more clean and romanticised views of the towns. Cut to twenty-five years later, we meet two of our main characters, Gaz (Robert Carlyle) and Dave (Mark Addy), along with Gaz’s son Nathan (Wim Snape), as they explore an abandoned steel mill they once worked at, in the middle of looking for parts they could sell. It is these particularly grim circumstances that our leads find themselves stumbling upon a male strip show, seeing how many women are in the audience and deciding perhaps there could be enough money in that to help them out of their financial strife, at least for the moment. Despite there being no direct mention of her in the film, the average viewer at the time of the film’s release was aware that the closing down of the steel mill was a direct result of Margaret Thatcher’s governmental policies. During her time in office, the steel industry in Britain went from being a workforce over one hundred and fifty thousand strong, to in 1988 supporting only fifty-five thousand workers (Deans, 2016). The privatisation of the industry in that year, and the closing of some of the largest steelworks sites was catastrophic for the country, and in the early nineties unemployment rates skyrocketed (Anon, 2013). Thatcher’s penchant for privatisation (as steel was not the only industry in which this happened) seemed to flow

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