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Project Methodology

The Impact of Maternal-Newborn Skin-to-Skin Contact on Breastfeeding Initiation Rate (for spontaneous vaginal delivery mothers only)

Chapter 3 of the Direct Practice Improvement (DPI) Project, titled “Methodology,” will expand upon the content and concepts presented in the “10 Strategic Points Final Draft” (Appendix A) document you completed in its final iteration in Topic 1.

General Requirements:

Use the following information to ensure successful completion of the assignment:

Locate the “DPI Proposal Template” in the PI Workspace of the DC Network.
Locate the 10 Strategic Points Final Draft assignment completed earlier in this course.
Doctoral learners are required to use APA style for their writing assignments.
This assignment uses a rubric. Please review the rubric prior to beginning the assignment to become familiar with the expectations for successful completion.

Directions:

Use the “DPI Proposal Template” and the “10 Strategic Points Final Draft” document, to develop a draft of (Chapter 3) Methodology that describes the methodology you are utilizing in your DPI Project Proposal. Sections in Chapter 3 include:

Chapter 3 Methodology
Introduction and Statement of the Problem
Clinical Question(s)
Project Methodology
Project Design
Population and Sample Selection
Instrumentation
Validity
Reliability
Data Collection Procedures
Data Analysis Procedures
Ethical Considerations
Limitations
Summary

Sample Solution

almost overwhelmed by sensory stimulation in a big city. This overwhelment stems from the intense sensory stimulants which are often too quick and excessive to mentally process and make clear distinctions. We found that, when listening to the music in the countryside, some of our senses were heightened. We noticed our surroundings much more, from the temperature to the overpowering smell of manure to when a branch brushed past our bodies. We thought that the amalgamation of the tranquil countryside and the experience of music created a much more meaningful place than that of when you are in the city. In both crowded and isolated places, listening to your own music can be both therapeutic and soothing. Wherever you are, your experience can be individualised by the genre that you like to listen to. The experience of the environment in which you are is made completely distinct and personal through the music that you are surrounded by. For this, we decided to undertake a study of listening to different genres of music in the same location. We both took turns listening to either Heavy Metal and Jazz whilst sitting in a cafe and the outcomes could not have been more different. When listening to Heavy Metal, we found that everything seemed to rush past us but as soon as we turned over to Jazz, we were at much more ease. This shows that, given the variety of genres nowadays, there are so many different experiences to have in various places for each individual. Looking back at all of our research, we have learnt a lot about our approaches to our surroundings and how our senses interact with our environment when engaging with music. In most cases, music seemed to dull our senses because we are so engulfed by the music that we are less aware of the things that are going on around us. Primarily, we thought that music just dulled our senses in urban situations to block out the chaos of the city. That said, music turned these spaces into place by giving the meaning; whilst the lyrics and the melody engrain themselves into your mind, you also attach meaning and emotion to the surroundings that you are walking through. We have become more observant and perceptive of the oddities which our senses encounter when faced with music in all of the different places and scenarios aforementioned and our engagement with music in the various forms will perhaps alter from now on. The study has also told us how unique and specific the experience of music is. As we have seen, there are many different things that make up our individual and distinct experience when we look at the senses from a geographical approach alongside the experience of music. Although it may not seem obvious at first, the experience of music varies hugely depending wh
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