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The foundations of mental health nursing.

Describe the foundations of mental health nursing.
Explain current legal issues and social concerns in mental healthcare.
Select appropriate nursing interventions for clients with certain cognitive, addictive and psychotic conditions.
Evaluate nursing care strategies for clients with certain mental health/mood/personality and eating disorders.
Assemble nursing care interventions for clients with mental health/stress related disorders.
Identify factors that impact mental health in special populations.

Sample Solution

idently conscious of his readership, reflecting his confident and assured nature as he refers to the reader is part of an intellectual group, calling them ‘unbiased’ to imply that they are open-minded and accepting – and aiding the forming of a relationship between the narratee and narrator to show their likeminded nature and justify Humbert’s actions. Additionally, the possessive pronoun in the phrase ‘my patient reader’ by the end of part one of the text highlights the reader’s acceptance of the narrator, while the continuing complimentary language reflects Humbert’s persuasive and manipulative manner which is concealed beneath the reader’s reaction of flattery and fondness. Within the novel, the reader is encouraged to take an active part in the discourse, undermining the character of Lolita as disabling her ability to gain empathy. Nabokov creates distance between the reader and Lolita, ‘whose meek temper Lo ought to have copied’ which is suggestive of the similarity and compatibility the narrator intends to evoke between Humbert and the narratee, while they are disassociated with Lolita’s suffering. Similarly, frequent addresses to the jury throughout the text imply the central issue of Humbert’s guilt, seen through the phrases ‘winged gentlemen of the jury’ and ‘ladies and gentlemen of the jury’, which put the narrator in a position to be judged and allow him to familiarise himself with the reader in order to seek sympathy. Therefore, it is evident that direct addresses to his readership enable Nabokov to encourage them to accept and sympathise with his monstrous male hero. In addition to this, it may be argued that the reader is encouraged to accept Nabokov’s monstrous narrator due to Humbert’s mystified and deluded depiction of himself, which prevents the reader from being able to acknowledge his true character and is instead only able to accept the fraudulent identities he creates for himself. Throughout Lolita, the autodiegetic narrator elevates his own status in order to defend his unusual attraction, referring to himself as a ‘comic, clumsy, wavering Prince Charming’ to further the illusion of the paedophilic narrator as the hero of the text, while the reference to ‘Prince Charming’ romanticises and idealises his character. Further, Nabokov’s use of the alliterative adjectives ‘comic’, ‘clumsy’ juxtapose the perfection of the ‘prince’, enhancing the deluded and contrasting portrayal of Humbert. The frequent references to the ‘Enchanted Hunter’ imply a mystical and ethereal nature to the narrator, suggesting his illusive c
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