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The negative results of boundary crossings in the nurse-patient relationship.

Describe the negative results of boundary crossings in the nurse-patient

relationship.

What unique boundary issues may arise for a nurse living in a small community?

Where would you describe yourself on the Continuum of Professional Behavior (found

at

Continuum of Professional Behavior

Sample Solution

mysticism surrounding his paedophilia, encouraging sympathy and a common identity among the readership, and deluding Humbert’s depiction of himself within his narrative. However, central to the plot is the repulsive sexual relationship between Humbert and teenager Lolita, and the reader is unable to avoid recognising the unreliability and contradiction within the narrative and cannot disguise the inevitable shame and sympathy felt towards Lolita’s pain and loss of childhood. Therefore, while it is indisputable that Nabokov encourages the reader to accept his monstrous narrator, this is only to emphasise the tragic ending and evoke a sense of self-hatred and humiliation. It could be argued that the reader is encouraged to accept Nabokov’s monstrous male narrator through his use of elaborate language to enhance the veneer of romance and mysticism surrounding his paedophilia which prevents the reader from truly acknowledging the violent and manipulative nature of the relationship. The purity of his love is enhanced through his narrative, with the discussion of ‘nymphets’ at the beginning of the novel immediately romanticising his attraction to justify the relationship, which is furthered by Nabokov’s listing of adjectives, ‘the elusive, shifty, soul-shattering, insidious charm’, which have clear otherworldly and mystical connotations. Additionally, the adjective ‘shifty’ subtly implies the dishonest and deceitful nature of the narrator. The alliterative phrase ‘intangible island of entranced time’ highlights this magical and elusive nature of the monstrous male hero and positions the narrative in a place of ethereal and indefinable romanticism. The monstrous male protagonist also describes himself as the ‘Enchanted Hunter’ and ‘nympholept’ to attribute magical characteristics to himself which compliments the mysterious concept of the ‘nymphet’ and creates a justification for his actions, enabling the reader to accept Humbert as an otherworldly, unrelatable narrator. Surprisingly, the unreliable narrator himself admits to the ability to distract the reader with his language, ‘you can always count on a murderer for a fancy prose style’, suggesting that the intention in using such elaborate and eloquent language is, indeed, to engage the reader in the romance and mystery of the narrative. This suggestion is enhanced by Nabokov’s use of the French language throughout the novel, which both relates to the autobiographical elements of the novel as both Nabokov and his monstrous narrator were highly educated and academic Europeans and creates a romantically academic façade of Humbert’s character. Such references, ‘comme, vous le savez trop bien, ma gentille’, are commonly concerning Lolita, and the inability of the common reader to understand his foreign narration furthers the seductive and private nature of the relationship while also heightening the romanticism and idealisation of their love. As a consequence, it is evident that the Nabokov’s use of elaborate and academically advanced language encourages the reader to accept the unreliable narrator. Furthermore, one might suggest that the reader is encouraged to sympathise and identify with Nabokov’s monstrous male hero in Lolita as a result of the consistent involvement and flattering language directed towards the reader, which enables them to identify and form a relationship with Humbert and provoke positive reinforcement towards such acceptance. Clearly, the reader is encouraged to become involved with Humbert’s narrative, with references to the ‘learned reader’ and ‘astute reader’ which show the enthusiasm of Nabokov to encourage the reader to identify with his narrator. The protagonist is evidently conscious of his readership, reflecting his confident and assured nat
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