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Theodore Brown and James Green

Ted Brown and Jim Green have been discussing going into business together for several months, and they are anxious to start that business before the end of this month. However, both Ted Brown and Jim Green each have to be out of town for several weeks on other business, so Ted Brown has told his son, Theodore, who is 16, about the discussions with Jim Green and has appointed Theodore to complete negotiation of the final details of the business. Jim Green has told his son James, who is 18 years old, about the discussions with Ted Brown and appointed James to complete the negotiations.
The business that Ted Brown and Jim Green want to create will develop an app for cell phones that will identify family-oriented attractions along major highways so families can download the app to help in planning family vacations. The development of the app will take 4 months, and then it will take approximately another 4 months to fully deploy the app. As the app becomes popular, the business will solicit family-oriented businesses to advertise on the app. Ted Brown and Jim Green have very little capital to use in the development and deployment of the app and will probably need to raise the capital necessary to develop and deploy a quality app.
In your case study, address the questions below.
 Can Theodore Brown and James Green legally create the business that Ted Brown and Jim Green have been discussing? Why, or why not?
 If Theodore and James do create the business, what duties do they each owe their father? Describe what those duties mean in this case.
 What factors do Ted Brown and Jim Green (or their sons on their behalf) need to consider in selecting a form for this business?
 What form of business will provide the most advantage for their venture?
 What are the disadvantages of the form of business that they selected?

Sample Solution

he colour transition, the other being the stoppage of time when Conductor 71 (Marius Goring) is present. Conductor 71 is the representative of heaven chosen to shadow Peter until his trial. Whenever he appears, time in the film freezes and it is only Peter who can talk to him. This concept strengthens the idea that fantasy is part of the imagination, that one couldn’t exist without the other. In a chapter on Powell and Pressburger, Moor talks about the balance between reality and fantasy in A Matter of Life and Death; A Matter of Life and Death’ is a transitional film. Released after the war, it mixes an idealised and happily resolved wartime romance with spectacular shifts between heaven and earth, parading fantasy elements rich in visual inventiveness. (The British Cinema Book, p. 240-246) A phrase that intrigues me is how Moor writes ‘happily solved wartime romance’, as in my opinion, the relationship between fantasy and war is one of the key elements of the film. World War II was one of, if not the biggest event in British history. How it is remembered is by people is often quite a common split. People who fought the battles on the front lines and back in Britain remember the war as either the boldest time of their lives, or the most brutal times of their lives, a split between those who were patriotic and those who could not forget the horrors of war. A Matter of Life and Death addresses the more patriotic side of the war through fantasy. All the soldiers who fought in the war for Britain get to go to heaven. For example, in heaven British, American, French and Indian soldiers are found collecting their white wings and taking part in court trials. Whereas no German, Russian or Italian soldiers can be seen. The film uses fantasy to subtly put across communal views of post-war Britain to mass audiences. This convinces the people of Britain that war was a good thing, and that all those that were lost got to go to heaven for serving their country. Powell and Pressburge

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