Adaptation 2

Assignement 2 Adaptation 2 Order Description Please read the in" rel="nofollow">in" rel="nofollow">in" rel="nofollow">in" rel="nofollow">in" rel="nofollow">in" rel="nofollow">in" rel="nofollow">instructions IN FULL Write an adaptation of the story 'letters to the future' which I will upload with this assignment . You should write your adaptation for a theatrical stage play. The performance time for your adaptation should be 15 min" rel="nofollow">in" rel="nofollow">in" rel="nofollow">in" rel="nofollow">in" rel="nofollow">in" rel="nofollow">in" rel="nofollow">inutes. YOU CAN ADD SOME CONTENT THAT WASENT AVAILABLE IN THE ORIGINAL STORY THAT I WANT YOU TO ADAPT. YOU CAN ADD SCENES OR DIALOGUES TO IT THAT WERENT IN THE ORIGINAL STORY SUCH AS A DIALOGUE BETWEEN MRS FISHER AND MRS BROWN FOR EXAMPLE. You can gauge this approximately by usin" rel="nofollow">in" rel="nofollow">in" rel="nofollow">in" rel="nofollow">in" rel="nofollow">in" rel="nofollow">in" rel="nofollow">ing the correct layout (see the notes on layout in" rel="nofollow">in" rel="nofollow">in" rel="nofollow">in" rel="nofollow">in" rel="nofollow">in" rel="nofollow">in" rel="nofollow">in the A363 Assessment Guide) and countin" rel="nofollow">in" rel="nofollow">in" rel="nofollow">in" rel="nofollow">in" rel="nofollow">in" rel="nofollow">in" rel="nofollow">ing the pages. I will upload the correct layout I want for the assignment UNDER THE NAME Pages_from_A363_CourseBook_e1i1_p44 YOU NEED TO FOLLOW THAT LAYOUT TO THE DOT WITH EVERY DETAIL BEING IMPORTANT. For stage, one page averages one min" rel="nofollow">in" rel="nofollow">in" rel="nofollow">in" rel="nofollow">in" rel="nofollow">in" rel="nofollow">in" rel="nofollow">inute of performance time. However, this is only an estimate. The exact runnin" rel="nofollow">in" rel="nofollow">in" rel="nofollow">in" rel="nofollow">in" rel="nofollow">in" rel="nofollow">in" rel="nofollow">ing time for some pages will be longer than this; some pages will be shorter. The only way to time it more precisely is to read through your script in" rel="nofollow">in" rel="nofollow">in" rel="nofollow">in" rel="nofollow">in" rel="nofollow">in" rel="nofollow">in" rel="nofollow">in real performance time, in" rel="nofollow">in" rel="nofollow">in" rel="nofollow">in" rel="nofollow">in" rel="nofollow">in" rel="nofollow">in" rel="nofollow">includin" rel="nofollow">in" rel="nofollow">in" rel="nofollow">in" rel="nofollow">in" rel="nofollow">in" rel="nofollow">in" rel="nofollow">ing all of the actions, sound effects, pauses and dialogue in" rel="nofollow">in" rel="nofollow">in" rel="nofollow">in" rel="nofollow">in" rel="nofollow">in" rel="nofollow">in" rel="nofollow">in your enactment. This should be a stand-alone script, complete in" rel="nofollow">in" rel="nofollow">in" rel="nofollow">in" rel="nofollow">in" rel="nofollow">in" rel="nofollow">in" rel="nofollow">in itself, and not part of a longer play or film. You should in" rel="nofollow">in" rel="nofollow">in" rel="nofollow">in" rel="nofollow">in" rel="nofollow">in" rel="nofollow">in" rel="nofollow">include a brief cast list with your script (which should not be in" rel="nofollow">in" rel="nofollow">in" rel="nofollow">in" rel="nofollow">in" rel="nofollow">in" rel="nofollow">in" rel="nofollow">included in" rel="nofollow">in" rel="nofollow">in" rel="nofollow">in" rel="nofollow">in" rel="nofollow">in" rel="nofollow">in" rel="nofollow">in any word count or estimate of performance time). You should state which medium you are writin" rel="nofollow">in" rel="nofollow">in" rel="nofollow">in" rel="nofollow">in" rel="nofollow">in" rel="nofollow">in" rel="nofollow">ing for on your openin" rel="nofollow">in" rel="nofollow">in" rel="nofollow">in" rel="nofollow">in" rel="nofollow">in" rel="nofollow">in" rel="nofollow">ing page, near to your title. Part 2 Write a commentary (500 words) about the process of creatin" rel="nofollow">in" rel="nofollow">in" rel="nofollow">in" rel="nofollow">in" rel="nofollow">in" rel="nofollow">in" rel="nofollow">ing your script. Describe the way in" rel="nofollow">in" rel="nofollow">in" rel="nofollow">in" rel="nofollow">in" rel="nofollow">in" rel="nofollow">in" rel="nofollow">in which you approached the adaptation and whether you stuck closely to the origin" rel="nofollow">in" rel="nofollow">in" rel="nofollow">in" rel="nofollow">in" rel="nofollow">in" rel="nofollow">in" rel="nofollow">inal, based your drama loosely on the origin" rel="nofollow">in" rel="nofollow">in" rel="nofollow">in" rel="nofollow">in" rel="nofollow">in" rel="nofollow">in" rel="nofollow">inal or on some particular aspect of it, felt compelled to in" rel="nofollow">in" rel="nofollow">in" rel="nofollow">in" rel="nofollow">in" rel="nofollow">in" rel="nofollow">in" rel="nofollow">invent new parts or to cut characters or events. BASE SOME OF YOUR COMMENTS ON CONTENT MADE IN THE CREATIVE WRITING HANDBOOK FROM PAGE 41 to 92. I WILL UPLOAD THAT ASWELL. Guidance notes See the guidance notes for TMA 02 (PAGE 24 to 30) and the ‘Writin" rel="nofollow">in" rel="nofollow">in" rel="nofollow">in" rel="nofollow">in" rel="nofollow">in" rel="nofollow">in" rel="nofollow">ing a commentary’ (page 13 to 15) section in" rel="nofollow">in" rel="nofollow">in" rel="nofollow">in" rel="nofollow">in" rel="nofollow">in" rel="nofollow">in" rel="nofollow">in the A363 Assessment Guide and I WILL UPLOAD THAT ASWELL You are required to submit both parts of the TMA. Put an estimate of performance time at the end of Part 1 (your script) and a word count at the end of Part 2 (your commentary).