Examine Antonioni's Deserto Rosso as the site where the main female character can be said to destabilize the female identity quest that characterizes Antonioni’s films of the tetralogy. In this sense, Giuliana’s gaze turns out to be dependent on that of the men to whom she relates, in a very peculiar manner.
Giuliana, as a hysterical character, may be said to be working from within the cinematic aesthetic of the free indirect style only to disrupt it
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