Ethnodoxology and Critical Contextualization

Choose 1 of the following discussion questions. Cite the reading from Collinge and/or Hiebert. In what ways is music not a universal language? In what ways might it be somewhat universal? What is ethnodoxology, and how does it relate to biblical thought, worship, and missions? How does God speak in the midst of culture? What is important about properly contextualizing worship and art forms within a given culture? How might "heart music" relate to this issue?

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