Film analysis

1)From the list below, choose four films and show how their directors/writers present significantly different writin" rel="nofollow">ing styles. More specifically, refer to narratologies,dialogs,motifs,symbolism etc. that support your claims (choose four different movies representin" rel="nofollow">ing four different styles). 2) In most discussions of film, the shot was generally accepted as the basic unit of construction. Semiotic theorists rejected this unit as too vague and in" rel="nofollow">inclusive. They in" rel="nofollow">insisted on a more precise concept; they suggested that ″the sign″ be adopted as the min" rel="nofollow">inimal unit of signification. A sin" rel="nofollow">ingle shot from a movie generally contain" rel="nofollow">ins dozens of signs, formin" rel="nofollow">ing an in" rel="nofollow">intricate hierarchy of counterpoised meanin" rel="nofollow">ings. From the list, choose four films (different from the ones used in" rel="nofollow">in question 1) and show a ″shot″ from each uses at least two counterpoised signs. List of Movies; The Artist(2011), Whiplash(2014), Hugo (2011), Inglorious Basterds (2009), There will be blood (2007), Gran Torin" rel="nofollow">ino (2008), The girl with the Dragon tattoo, Hell or high water (2016), Little Miss sunshin" rel="nofollow">ine (2006)