identify a television programme that seeks to appeal to an unequivocally middle-class audience ? Discuss the reasons behind your choice

identify a television programme that seeks to appeal to an unequivocally middle-class audience ? Discuss the reasons behin" rel="nofollow">in" rel="nofollow">in" rel="nofollow">ind your choice. Order Description Please refer all 4 of the readin" rel="nofollow">in" rel="nofollow">in" rel="nofollow">ings in" rel="nofollow">in" rel="nofollow">in" rel="nofollow">in the bibliography Mark Gibson and John Hartley, ‘Forty Years of Cultural Studies: An Interview With Richard Hoggart’, International Journal of Cultural Studies, vol.1 no. 1, April 1998 Richard Hoggart, ‘The Neighbourhood’ and ‘The Juke-Box Boys’, from The Uses of Literacy (Chatto & Win" rel="nofollow">in" rel="nofollow">in" rel="nofollow">indus 1957) Andy Medhurst, ‘If Anywhere: Class Identifications and Cultural Studies Academics’, in" rel="nofollow">in" rel="nofollow">in" rel="nofollow">in Sally R.Munt ed, Cultural Studies and the Workin" rel="nofollow">in" rel="nofollow">in" rel="nofollow">ing Class (Cassell 1999) Andrew Tudor, ‘The Way We Were’, from Decodin" rel="nofollow">in" rel="nofollow">in" rel="nofollow">ing Culture (Sage 1999) Raymond Williams, Culture and Society (Chatto & Win" rel="nofollow">in" rel="nofollow">in" rel="nofollow">indus 1958) - see also the relevant sections of Barker, Bennett, Brantlin" rel="nofollow">in" rel="nofollow">in" rel="nofollow">inger, Hall and Strin" rel="nofollow">in" rel="nofollow">in" rel="nofollow">inati from the Block One list Please refer 4 essays in" rel="nofollow">in" rel="nofollow">in" rel="nofollow">in the followin" rel="nofollow">in" rel="nofollow">in" rel="nofollow">ing section in" rel="nofollow">in" rel="nofollow">in" rel="nofollow">in the bibliography Tim Butler and Mike Savage eds, Social Change and the Middle Classes (UCL Press 1995) David Cannadin" rel="nofollow">in" rel="nofollow">in" rel="nofollow">ine, Class in" rel="nofollow">in" rel="nofollow">in" rel="nofollow">in Britain" rel="nofollow">in" rel="nofollow">in" rel="nofollow">in (Yale U.P. 1998) Mark Gibson, ‘Richard Hoggart’s Grandmother’s Ironin" rel="nofollow">in" rel="nofollow">in" rel="nofollow">ing’, International Journal of Cultural Studies, vol. 1 no. 1, April 1998 Richard Hoggart, The Uses of Literacy (Chatto 1957) Stuart Lain" rel="nofollow">in" rel="nofollow">in" rel="nofollow">ing, Representations of Workin" rel="nofollow">in" rel="nofollow">in" rel="nofollow">ing-Class Life 1957-64 (Macmillan 1986) Pat Mahony and Christin" rel="nofollow">in" rel="nofollow">in" rel="nofollow">ine Zmroczek eds, Class Matters: 'Workin" rel="nofollow">in" rel="nofollow">in" rel="nofollow">ing-Class' Women's Perspectives on Social Class (Taylor and Francis 1997) Mary McIntosh, 'Class', in" rel="nofollow">in" rel="nofollow">in" rel="nofollow">in Andy Medhurst and Sally R.Munt eds, Lesbian and Gay Studies: A Critical Introduction (Cassell 1997) Ross McKibbin" rel="nofollow">in" rel="nofollow">in" rel="nofollow">in, Classes and Cultures: England 1918-1951 (OUP 1998) The Middle Classes: Their Rise and Sprawl, BBC TV series 2001, copies held at the Library’s Audio-Visual Counter Sally R.Munt ed, Cultural Studies and the Workin" rel="nofollow">in" rel="nofollow">in" rel="nofollow">ing Class (Cassell 1999), especially the essays by Lacey and Bromley Beverley Skeggs, Formations of Class and Gender (Sage 1997) Carolyn Steedman, Landscape for a Good Woman (Virago 1986) Julia Swin" rel="nofollow">in" rel="nofollow">in" rel="nofollow">indells, The Uses of Autobiography (Taylor & Francis 1996) Imogen Tyler, ‘Chav Mum Chav Scum’ in" rel="nofollow">in" rel="nofollow">in" rel="nofollow">in Femin" rel="nofollow">in" rel="nofollow">in" rel="nofollow">inist Media Studies, Vol. 8. Issue 1. (2008) 17 - 34 Stephen Wagg, 'At Ease, Corporal: Social Class and the Situation Comedy in" rel="nofollow">in" rel="nofollow">in" rel="nofollow">in British Television from the 1950s to the 1990s', in" rel="nofollow">in" rel="nofollow">in" rel="nofollow">in Wagg ed, Because I Tell A Joke Or Two (Routledge 1998)