Lynch's main argument about historically informed performance

write a 500 word essay about the followin" rel="nofollow">ing prompt: - Begin" rel="nofollow">in with a brief paragraph summarizin" rel="nofollow">ing Lynch's main" rel="nofollow">in argument about historically in" rel="nofollow">informed performance (HIP), then use the rest of your answer to address the relationship between HIP and Nicholas Cook's discussion of the functions and limits of music notation (in" rel="nofollow">in the assigned chapter titled "An Imagin" rel="nofollow">inary Object"). How do the debates around HIP detailed by Lynch relate to Cook's assertions that "there are aspects of the music about which the notation is silent" (p. 53) and that "notation conserves music" but also "conceals as much as it reveals" (p. 55)?