Modernism and Modernity

Order Description PART ONE produce a close readin" rel="nofollow">ing of ONE of the followin" rel="nofollow">ing extracts of modernist writin" rel="nofollow">ing. Passage 1 – from Ulysses ‘Proteus’ (p.37-38) ‘Ineluctable modality of the visible’ (37) to ‘By the way go easy with that money like a good young imbecile. Yes, I must.’ (38) Passage 2 – from Ulysses ‘Lestrygonians’ (p.146-148) ‘His eyes sought answer from the river and saw a rowboat…’ (146) to ‘Well, if he couldn’t remember the dayfather’s name that he sees every day.’ (148) Passage 3 – from Ulysses ‘Cyclops’ (p.317-319) ‘- Will you try another, citizen? Says Joe.’ (317) to ‘And this person loves that other person because everybody loves somebody but God loves everybody.’ (319) Passage 4 – from Ulysses ‘Penelope’ (p.690-691) ‘Yes because he never did a thin" rel="nofollow">ing like that before…’ (690) to ‘…it takes me to fin" rel="nofollow">ind out a thin" rel="nofollow">ing like that he said you have no proof it was her proof O yes…’ (691). Passage 5 – To the Lighthouse, ‘The Win" rel="nofollow">indow’, section 11, p.69-71. ‘No, she thought, puttin" rel="nofollow">ing together some of the pictures..’ (69) to ‘He looked in" rel="nofollow">into the hedge, in" rel="nofollow">into its in" rel="nofollow">intricacy, its darkness.’ (71) Passage 6 – To the Lighthouse, ‘The Lighthouse’, section 8, p.199-201. ‘He had always kept this old symbol of takin" rel="nofollow">ing a knife and strikin" rel="nofollow">ing his father to the heart.’ (199) to ‘You won’t be able to go to the Lighthouse.’ (210) PART TWO In the second part of the essay focus upon ONE modernist magazin" rel="nofollow">ine covered in" rel="nofollow">in the second part of the module and assess how it contributed to the development of modernism.