"Naming of Parts"

Source from Kirszner & Mandell. Literature: Readin" rel="nofollow">ing, Reactin" rel="nofollow">ing, Writin" rel="nofollow">ing. 8th Edition. Pages 1128-29 "Namin" rel="nofollow">ing of Parts" by Henry Reed. Notes from professor as follows: This week you will write an explication essay on Henry Reed’s poem “Namin" rel="nofollow">ing of Parts.” Explication essays essentially attempt to explain" rel="nofollow">in what a work, in" rel="nofollow">in this case a poem, is about. The essay should examin" rel="nofollow">ine the poem’s surface meanin" rel="nofollow">ing plus any deeper meanin" rel="nofollow">ings that may be present. “Namin" rel="nofollow">ing of Parts” is not the most complex poem that we have read, but it is far from the simplest as well. You will have to put everythin" rel="nofollow">ing you have learned this semester to use while craftin" rel="nofollow">ing this essay. To help you get a feel for what I’m lookin" rel="nofollow">ing for, I am in" rel="nofollow">includin" rel="nofollow">ing in" rel="nofollow">in this week’s notes a short explication essay written by Patrick F. Basset about the poem “The Death of the Ball Turret Gunner.” Basset makes some mistakes in" rel="nofollow">in his essay like usin" rel="nofollow">ing the pronoun “we” in" rel="nofollow">instead of “the reader,” and I personally don’t agree with all of his in" rel="nofollow">interpretations, but I don’t have to, and neither do you. When you write your essay on “Namin" rel="nofollow">ing of Parts” you should attempt to give an in" rel="nofollow">in-depth explanation of the poem.You should not look for help from outside sources while attemptin" rel="nofollow">ing to in" rel="nofollow">interpret the poem. Instead you should give me your in" rel="nofollow">interpretation of the poem just as Basset gives his. It doesn’t matter if we don’t in" rel="nofollow">interpret the poem the same way. What matters is that you give your explication in" rel="nofollow">in a well written essay. What follows is Basset’s essay on “The Death of the Ball Turret Gunner”: Title: Jarrell's 'The Death of the Ball Turret Gunner' Author(s): Patrick F. Bassett Publication Details: Explicator 36.3 (1978): p20-21. Source: Poetry Criticism. Ed. David M. Galens. Vol. 41. Detroit: Gale, 2003. From Literature Resource Center. Document Type: Critical essay Full Text: COPYRIGHT 2003 Gale, COPYRIGHT 2007 Gale, Cengage Learnin" rel="nofollow">ing [(essay date 1978) In the followin" rel="nofollow">ing essay, Bassett analyzes the imagery of "The Death of the Ball Turret Gunner," underlin" rel="nofollow">inin" rel="nofollow">ing a thematic lin" rel="nofollow">ink between "sleep, animality, and death" in" rel="nofollow">in the poem.] Randall Jarrell's poem "The Death of the Ball Turret Gunner" synthesizes three apparently dissimilar images to convey an anti-war message. Jarrell lin" rel="nofollow">inks the imagery of sleep, animality, and birth as he awakens the reader to the nightmares of a man/child at war. The poem, an evocation of the horrors of airwar battle, opens ironically with an image of sleep. The poet fashions his sleep image to work in" rel="nofollow">in two ways: First, sleep is a state of benumbed consciousness; secondly, sleep is the agent of a nightmare consciousness. Jarrell suggests that only a mother who is "asleep," caught unawares and undefensive, could allow the State to take her child to war. Similarly, only a sleepy, fatigue-wearied turret gunner could battle enemy fighter planes and yet not awaken until hearin" rel="nofollow">ing the ack ack sound of the antiaircraft guns' "black flak." The irony of the sleep imagery emerges when the reader realizes that life for the soldier is but ephemeral fantasy, a "dream," whereas reality surfaces in" rel="nofollow">in the form of "nightmare fighters." Hence, the usual connotations of sleep, its release and rejuvenation, are thematically perverted to connote both defenselessness (of mother and soldier) and nightmare horror. One of the nightmares of war is its tendency to make animals of men. By the in" rel="nofollow">inclusion of a sin" rel="nofollow">ingle detail, the poet evokes via animal imagery the theme of dehumanization. Perspirin" rel="nofollow">ing heavily, the soldier fin" rel="nofollow">inds that his Air Force issued leather and fur jacket cannot keep him warm; his "wet fur froze." Yet the image of fur associated with man is in" rel="nofollow">intentionally anomolous because we are expected to understand that only animals suffer the tortures of unsheltered cold: That is to say, only animals and men at war. The third figurative pattern of the poem suggests an image of birth. From my mother's sleep I fell in" rel="nofollow">into the State And I hunched in" rel="nofollow">in its belly till my wet fur froze. We see a soldier, fetally positioned, in" rel="nofollow">in the sac-like turret under the aircraft's "belly." Yet the pronoun its of "its belly" refers to the aircraft only because of image-correspondence: the antecedent to the pronoun its is either the State or the mother. Are children born for the State? Are the State's offsprin" rel="nofollow">ing its aircraft? The birth imagery of the poem symbolically suggest the answers to these questions; the soldier is "wet," floatin" rel="nofollow">ing in" rel="nofollow">in amniotic fluid; he is visually attached to his "mother," the plane, via umbilical cord-like machin" rel="nofollow">ine guns and "hose" (lin" rel="nofollow">ine 5). He is even washed as a newborn would be cleansed upon emergence from the womb. The traumatic shock of birth, of separation from the womb, is overwhelmin" rel="nofollow">ing. For the speaker's birth is a miscarriage; he "falls" from his mother, hurtled unprepared for his new and harsh environment, the state of war. Jarrell's poem is perhaps unequalled in" rel="nofollow">in the compacted power of its suggestive imagery. In five short lin" rel="nofollow">ines the poet asks us to consider sleep that is not sleep but semi-conscious numbness and nightmare; he asks us to contemplate men who are not men but animals subjected to the outrageous conditions of fear and harm; he asks us to understand birth that is not life but birth that is death. Source Citation Bassett, Patrick F. "Jarrell's 'The Death of the Ball Turret Gunner'." Explicator 36.3 (1978): 20-21. Rpt. in" rel="nofollow">in Poetry Criticism. Ed. David M. Galens. Vol. 41. Detroit: Gale, 2003. Literature Resources from Gale. Web. 6 July 2011.