THE HIGH RENAISSANCE AND MANNERISM IN ITALY

THE HIGH RENAISSANCE AND MANNERISM IN ITALY Order Description Please follow the in" rel="nofollow">in" rel="nofollow">in" rel="nofollow">instructions, this 5 questions are part of a fin" rel="nofollow">in" rel="nofollow">in" rel="nofollow">inal exam, I want the writer to answer them in" rel="nofollow">in" rel="nofollow">in" rel="nofollow">in their own words, and also do not use any citation or quotation, just their own words. All of the questions are referrin" rel="nofollow">in" rel="nofollow">in" rel="nofollow">ing to : THE HIGH RENAISSANCE AND MANNERISM IN ITALY (Chapter 13 from TEXT: Culture & Values 8 th Edition with LMS Min" rel="nofollow">in" rel="nofollow">in" rel="nofollow">indTap o By: Cunnin" rel="nofollow">in" rel="nofollow">in" rel="nofollow">ingham, Reich and Fichner-Rathus o Publisher: Cengage Learnin" rel="nofollow">in" rel="nofollow">in" rel="nofollow">ing) 1. Critics use the adjective Michelangeloesque. Now that you have studied his work, what does that adjective mean to you? Give an all-in" rel="nofollow">in" rel="nofollow">in" rel="nofollow">inclusive defin" rel="nofollow">in" rel="nofollow">in" rel="nofollow">inition of the term. 2. Michelangelo’s Medici Chapel represents the artist’s best attempt to express a permanent tribute to the dead. How does it differ in" rel="nofollow">in" rel="nofollow">in" rel="nofollow">in spirit from such monuments today? (You might begin" rel="nofollow">in" rel="nofollow">in" rel="nofollow">in by comparin" rel="nofollow">in" rel="nofollow">in" rel="nofollow">ing it to the Vietnam Memorial in" rel="nofollow">in" rel="nofollow">in" rel="nofollow">in Washin" rel="nofollow">in" rel="nofollow">in" rel="nofollow">ington D.C., or some other such public monument.) 3. Castiglione’s concept of sprezzatura was an attempt to summarize the ideal of the educated courtier. Is there a word or phrase that would best sum up the character of the well-rounded person today? Do we have a similar ideal? 4. Mannerism as an art style contain" rel="nofollow">in" rel="nofollow">in" rel="nofollow">ins an element of exaggeration. Give examples from the works of art in" rel="nofollow">in" rel="nofollow">in" rel="nofollow">in this chapter where “exaggeration” can be noted. 5. If you were to transpose Raphael’s School of Athens in" rel="nofollow">in" rel="nofollow">in" rel="nofollow">into a contemporary settin" rel="nofollow">in" rel="nofollow">in" rel="nofollow">ing, what kin" rel="nofollow">in" rel="nofollow">in" rel="nofollow">ind of architecture would you use to frame the scene and whom would you in" rel="nofollow">in" rel="nofollow">in" rel="nofollow">include among the personages in" rel="nofollow">in" rel="nofollow">in" rel="nofollow">in the picture?