Closet drama

The Martyrdom of the Holy Virgin" rel="nofollow">in" rel="nofollow">in" rel="nofollow">in" rel="nofollow">in" rel="nofollow">in" rel="nofollow">in" rel="nofollow">ins Agape, Chionia, and Hirena, by Hrosvit of Gandersheim Known as a 'closet drama,' written for a literary rather than a theatrical audience, there is not a significant production history of Dulcitius among professional theatre companies. What historical argument might you make for the fact that this play was written as a closet drama? To answer this question, you might want to consider the followin" rel="nofollow">in" rel="nofollow">in" rel="nofollow">in" rel="nofollow">in" rel="nofollow">in" rel="nofollow">in" rel="nofollow">ing: Why did it use the form of dramatic literature than another genre of literature? What about it is theatrical? How does it imagin" rel="nofollow">in" rel="nofollow">in" rel="nofollow">in" rel="nofollow">in" rel="nofollow">in" rel="nofollow">in" rel="nofollow">ine an audience's relationship to the stage? And, why was it based on the structure and stage of Roman comedies.      

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