Topic: 3 quiz questions

Order Description 3 multiple choice questions 2 sources. Currently 1 writers are viewin" rel="nofollow">ing this order Additional Files Owner Type Name Size Plagiarism Upload date Client Additional file Quiz_Gen.pdf 0.04 Mb None 12:08 02 Sep 2016 Take order Report a Problem © 2005–2016 "EssayWriters.net" Privacy policy in" rel="nofollow">in[email protected] ChatLive Chat Required Sources: 1. Anne Kin" rel="nofollow">ingston (2005) “The wife gap” 2. Sharon Boden (2007) 'Consumin" rel="nofollow">ing pleasure on the weddin" rel="nofollow">ing day: the lived experience of bein" rel="nofollow">ing a bride' Question 1: When Anne Kin" rel="nofollow">ingston (2005) writes of the ‘alternatin" rel="nofollow">ing currents of wifelash and wifelust’, she means Select one: a. popular responses to femin" rel="nofollow">inist critiques and traditionalist defences of marriage that swin" rel="nofollow">ing confusin" rel="nofollow">ingly in" rel="nofollow">in their imagery and judgements b. femin" rel="nofollow">inists like Gloria Stein" rel="nofollow">inem alternately opposin" rel="nofollow">ing marriage and desirin" rel="nofollow">ing it for themselves c. husbands, for centuries, alternately lashin" rel="nofollow">ing out at and lustin" rel="nofollow">ing after their wives d. sin" rel="nofollow">ingle women holdin" rel="nofollow">ing contradictory desires and expectations and never takin" rel="nofollow">ing the time to settle in" rel="nofollow">into rational judgments about marriage Question 2: In the account of contemporary weddin" rel="nofollow">ings by Sharon Boden (2007), the relationship between ‘romantic’ emotion and consumption should be theorised, in" rel="nofollow">in the end, as one in" rel="nofollow">in which Select one: a. authentic love win" rel="nofollow">ins out again" rel="nofollow">inst consumer exploitation and false fairy tale fantasies b. the experience of authentic love, stage managed performance and commodification of the symbols and fantasies of love occurs simultaneously c. love is never really authentic as it is stage managed by the bride who is driven by consumer exploitation and false fairy tale fantasies d. women end up just as exploited and oppressed in" rel="nofollow">in marriage as they have always been Question 3: Which shift in" rel="nofollow">in meanin" rel="nofollow">ing is NOT recounted by Niyi Awofeso in" rel="nofollow">in “Weddin" rel="nofollow">ing Rin" rel="nofollow">ings And The Femin" rel="nofollow">inist Movement” (2002), accordin" rel="nofollow">ing to the lecturer in" rel="nofollow">in GEN210 lecture on Weddin" rel="nofollow">ings, Monday August 29th, 2016? Select one: a. The early pagan idea of the weddin" rel="nofollow">ing rin" rel="nofollow">ing (which had symbolised the iron manacles of forced capture of the woman by a man as his bride) was revived in" rel="nofollow">in the early Catholic idea of havin" rel="nofollow">ing a rin" rel="nofollow">ing to signify monogamous marriage as a Christian sacrament; that in" rel="nofollow">influenced the popular development of the contemporary meanin" rel="nofollow">ing of the weddin" rel="nofollow">ing rin" rel="nofollow">ing, symbolisin" rel="nofollow">ing love and commitment (with mutual, fidelity to guard again" rel="nofollow">inst sexual jealousy) b. The early Roman and Byzantin" rel="nofollow">ine idea of the rin" rel="nofollow">ing as symbolisin" rel="nofollow">ing a contract was revived in" rel="nofollow">in the early Catholic idea of havin" rel="nofollow">ing a weddin" rel="nofollow">ing rin" rel="nofollow">ing to signify monogamous marriage as a Christian contract and sacrament; that in" rel="nofollow">influenced the popular development of the contemporary meanin" rel="nofollow">ing of the weddin" rel="nofollow">ing rin" rel="nofollow">ing as a social contract, symbolisin" rel="nofollow">ing love and commitment (now voluntary, with free partner choice and the possibility of divorce) c. The early Turkish idea of the puzzle rin" rel="nofollow">ing symbolisin" rel="nofollow">ing the wife’s fidelity (enforced by the clever design of the rin" rel="nofollow">ing) was revived in" rel="nofollow">in the first wave femin" rel="nofollow">inist idea of the wife as bein" rel="nofollow">ing unfree sexually (enforced by the legal and social prohibitions of the day); that 1890s femin" rel="nofollow">inist critique in" rel="nofollow">influenced the popular development of the contemporary ideas of romance, and polyamory (with a mutual commitment to enjoy sexual freedom and to overcome sexual jealousy) d. The early pagan idea of the weddin" rel="nofollow">ing rin" rel="nofollow">ing symbolisin" rel="nofollow">ing the iron manacles of forced capture of the woman by a man as his bride was revived in" rel="nofollow">in the second wave femin" rel="nofollow">inist idea of the wife as the man’s property; that late 1960s femin" rel="nofollow">inist critique in" rel="nofollow">influenced the popular development of the contemporary meanin" rel="nofollow">ing of the weddin" rel="nofollow">ing rin" rel="nofollow">ing, symbolisin" rel="nofollow">ing romance, and spousal equality (with mutual, fidelity to guard again" rel="nofollow">inst sexual jealousy) 3 multiple choice Gender questions: