Transnational aspects of movie Motorcycle Diaries

Transnational aspects of movie Motorcycle DiariesOrder Description PLEASE READ ALL THE REQUIREMENTS. VERY APPRECIATE. XD Sin" rel="nofollow">ince the start of the semester, we have discussed various ways in" rel="nofollow">in which a film can be transnational, and, in" rel="nofollow">in short, a transnational approach to cin" rel="nofollow">inema in" rel="nofollow">involves considerin" rel="nofollow">ing how a film crosses borders in" rel="nofollow">in different and specific ways. For example, Deborah Shaw’s typologies of transnational cin" rel="nofollow">inema are helpful in" rel="nofollow">in this respect with understandin" rel="nofollow">ing how cin" rel="nofollow">inema can be transnational in" rel="nofollow">in various ways. In a 2 to 3 page essay, explain" rel="nofollow">in how Diarios de motocicleta/Motorcycle Diaries is transnational in" rel="nofollow">in at least two ways, one of which must examin" rel="nofollow">ine the clip that comes from the movie. The other way, or ways, in" rel="nofollow">in which the film is transnational can be at the level of the film’s production (fin" rel="nofollow">inances, directors, actors, etc.), exhibition (where the movie was shown upon release), or distribution. Sin" rel="nofollow">ince the essay is limited to 3 pages, you will not be able to exhaustively discuss all the film’s transnational aspects. Instead, as in" rel="nofollow">intimated above, it is strongly suggested that you use specific examples from the film or the film’s production, exhibition, or distribution. Fin" rel="nofollow">inally, it is not necessary to devote half your paper to an analysis of the clip and half to some other aspect, or aspects, of the film’s transnationalism. Instead, you may spend more time on the clip and less on another aspect, or aspects. The clip from Diarios de motocicleta win" rel="nofollow">in the movie on IU’s Swank viewin" rel="nofollow">ing site, and the clip runs from 42:46-44:45. As I have written elsewhere, the movie can be accessed by goin" rel="nofollow">ing through the IU Media Services website: <https://libraries.in" rel="nofollow">indiana.edu/media (????????)>. Click on “Recommended Resources” and then click on “Swank Motion Pictures” and locate the movie title by typin" rel="nofollow">ing “Motorcycle Diaries” in" rel="nofollow">into the search win" rel="nofollow">indow. Your paper should have the followin" rel="nofollow">ing: the pagin" rel="nofollow">ination specified above (not 1.5 pages); size 12 and Times New Roman font with normal margin" rel="nofollow">ins and double-spacin" rel="nofollow">ing between lin" rel="nofollow">ines; correct grammar and spellin" rel="nofollow">ing; a compellin" rel="nofollow">ing title that goes beyond “Essay #1.” Consider formulatin" rel="nofollow">ing a title that will orient the reader to the content of your paper; a thesis statement that presents an argument. “Diarios de motocicleta is a very transnational film” or “Diarios de motocicleta is very in" rel="nofollow">interestin" rel="nofollow">ing” are not compellin" rel="nofollow">ing arguments; secondary resources are not necessary for the analysis of the clip. However, in" rel="nofollow">in the case of production, distribution, and exhibition, you are likely to need to cite some source to show how a film is transnational in" rel="nofollow">in that respect. Use MLA style for parenthetical references and a works cited page. do not write a concludin" rel="nofollow">ing paragraph. A concludin" rel="nofollow">ing sentence, or two, is more appropriate for a paper this length; you are encouraged to visit the IU Writin" rel="nofollow">ing Center.