Twelfth Night in 1602

Imagin" rel="nofollow">in" rel="nofollow">in" rel="nofollow">ine you are directin" rel="nofollow">in" rel="nofollow">in" rel="nofollow">ing a production of Twelfth Night in" rel="nofollow">in" rel="nofollow">in" rel="nofollow">in 1602. Would you stage the play at the begin" rel="nofollow">in" rel="nofollow">in" rel="nofollow">innin" rel="nofollow">in" rel="nofollow">in" rel="nofollow">ing of the holiday season to gear up for festivities, at the high poin" rel="nofollow">in" rel="nofollow">in" rel="nofollow">int of raucous celebration, or on the last day as everythin" rel="nofollow">in" rel="nofollow">in" rel="nofollow">ing is win" rel="nofollow">in" rel="nofollow">in" rel="nofollow">indin" rel="nofollow">in" rel="nofollow">in" rel="nofollow">ing down and returnin" rel="nofollow">in" rel="nofollow">in" rel="nofollow">ing to normal? In a 6 to 7-page essay, explain" rel="nofollow">in" rel="nofollow">in" rel="nofollow">in your directorial choice by arguin" rel="nofollow">in" rel="nofollow">in" rel="nofollow">ing to what extent the play makes fun of social hierarchies and codes of conduct, and to what extent the play ultimately rein" rel="nofollow">in" rel="nofollow">in" rel="nofollow">inforces those hierarchies and codes as necessary restrictions. You can consider issues of gender-bendin" rel="nofollow">in" rel="nofollow">in" rel="nofollow">ing, sexuality, social class, religion, or some combin" rel="nofollow">in" rel="nofollow">in" rel="nofollow">ination of these to help you refin" rel="nofollow">in" rel="nofollow">in" rel="nofollow">ine your argument.