Dines & Humez Article

Order Description
1. How does Jackson Katz expand his framework from Tough Guise 2 in” rel=”nofollow”>in the article you read from Din” rel=”nofollow”>ines & Humez?
2. What is the “defiant assertion” of white male authority?
3. How does Farrell connect masculin” rel=”nofollow”>inity and sexuality with conversations surroundin” rel=”nofollow”>ing HIV in” rel=”nofollow”>in the media?
4. Accordin” rel=”nofollow”>ing to Sanbonmatsu, how do video games connect simulated violence and militarization? How does capitalism come in” rel=”nofollow”>into play?
5. Accordin” rel=”nofollow”>ing to Schut, how do computer games present a particular narrative of history? What is that bias?
6. Accordin” rel=”nofollow”>ing to Bertozzi, who is underrepresented and struggles with the “uneven playin” rel=”nofollow”>ing field”? What is the “field” she is talkin” rel=”nofollow”>ing about?
7. As you reflect on the film Tough Guise 2, poin” rel=”nofollow”>int to two places in” rel=”nofollow”>in the film that illustrate another readin” rel=”nofollow”>ing you have done for the course. Describe the scene and also name the text you are
connectin” rel=”nofollow”>ing it to. Be as specific as possible.
8. What does it mean to “break through the ‘tough guise’?”
9. What does Pozner mean by referencin” rel=”nofollow”>ing the phrase, “Death becomes you, young lady.”?
10. How does Kimmel argue that masculin” rel=”nofollow”>inity functions as a form of homophobia, and how does this connect to the film Tough Guise 2?
11. Accordin” rel=”nofollow”>ing to Petersen, how do Tasker and Negra defin” rel=”nofollow”>ine “postfemin” rel=”nofollow”>inism” and what are the effects?
12. Describe the study done by Collin” rel=”nofollow”>ins and Carmody and what it examin” rel=”nofollow”>ines. Include two fin” rel=”nofollow”>indin” rel=”nofollow”>ings from the study, as well.
13. Accordin” rel=”nofollow”>ing to Din” rel=”nofollow”>ines, what is “hegemonic white masculin” rel=”nofollow”>inity” and how does it impact the way the Western part of the world represent and defin” rel=”nofollow”>ine black masculin” rel=”nofollow”>inity? What does it impact the
construction of black male sexuality?
14. How does the construct of “bitches” and “hoes” connect to the construct of “pimp” within” rel=”nofollow”>in the realm of street culture, accordin” rel=”nofollow”>ing to Rose?
15. Watch the followin” rel=”nofollow”>ing clip and connect it to Clarkson’s poin” rel=”nofollow”>int regardin” rel=”nofollow”>ing visibility: https://www.youtube.com/watch?v=2Q7IzwUa_kI&app=desktop
16. Accordin” rel=”nofollow”>ing to Brookey and Cannon, why is second life a valuable space to study gender and sexuality?
17. Accordin” rel=”nofollow”>ing to Pozner, what are the 4 tropes of women? Defin” rel=”nofollow”>ine them and provide an example of each.
18. How does the film, Valentin” rel=”nofollow”>ine Road, illustrate Clarkson’s discussion of visibility?
19. How do the jurors rationalize McEarney’s killin” rel=”nofollow”>ing of Larry? How do they rely on what Kimmel discusses as “masculin” rel=”nofollow”>inity as homophobia”?

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