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A plant cell wall is mainly composed of


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The Bourges Cathedral, more formally known as Cathédrale St-Étienne in Bourges is a UNESCO world heritage site. And for good reason! The church seems to be rising into the air, and from far off it seems more like a palace than a place of worship. Flying buttresses, employed to greater effect here than in Chartres, ring the cathedral's exterior. The buttresses themselves are topped off with spiky, decorative caps added a few centuries after construction but they add to the mystique of the building. In between the buttresses, stained glass windows contribute to the support of the roof. The cathedral's west front is imposing, with bell towers rising from the façade. Unlike in Chartres, where the façade was primarily Romanesque, Bourges' front end exhibits typical Gothic characteristics like deep bays and pointed arches. Indeed, while Chartres' west portal only has four archivolts, Bourges' has six. But no building is perfect, and Bourges has flaws as well. Its south tower had collapsed at one point in its history and the architects, afraid of a similar disaster, constructed a massive buttress to prop up the tower. The buttress juts out from the side of the cathedral like a wart, breaking the symmetry of the building. Finally we get to Notre Dame, whose name translates into "Our Lady of Paris." This is one of the world's most popular cathedrals. With a graceful, symmetrical exterior, it's easy to understand why. Similar to Bourges, Notre Dame employs a series of flying buttresses which curl around the cathedral. However, the buttresses are upstaged by the massive rose windows that jut out on each side of the transept. Although the transept roses interrupt the flow of the buttresses, one doesn't mind the interruption as they are so intricately carved. Notre Dame's symmetrical façade is probably more graceful than Bourges, as it has narrower bell towers and the eyes are drawn to the rose and lancet windows at the center. Depending on your angle, it is possible to see Notre Dame's spire rising above the entire façade, a singular tower which tries to pierce the heavens. This spire is reminiscent of Chartres' exquisitely constructed north tower. But a comparison among Gothic cathedrals would be incomplete without a study of their interior. The interior of Chartres, for example, is like another world. Entering the nave from the Royal Portal, the visitor is suddenly engulfed in an inky blackness, which is penetrated only by the light of the stained glass windows from above. This light plays a key role in the transept, as when one stands in the crossing, he or she finds themselves at the intersection of light from both rose windows. Even though the South Rose was covered for restoration, light still trailed through the portions of stained glass that were visible.

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