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Design of the healthcare system in the U.S.

Discuss any new or unique ideas/theories as to where healthcare should be going? How would we pay for your vision? Start with future in mind.

What do you “understand” about the design of the healthcare system in the U.S.? What is your “understanding” of the evolution and role of healthcare technology? How will the population trends likely impact healthcare?

Sample Solution

The Audience is often placed on risers to either side of the playing space, with little or no audience on either end of the “stage”. Actors are staged in profile to the audience. It is often the most workable option for long, narrow spaces like “storefronts”. Scenically, a profile theatre is almost like an arena stage; some staging as the background is possible at ends, which are essential sides. A non-theatrical form of the profile stage is a basketball arena if no-one is seated behind the hoops. Frequently utilised in “found space” theatres, for example, theatres made by changed over from various spaces. The Audience is regularly put on risers to either side of the playing space, with practically zero gathering of people on either end of the “stage”. Performers are arranged in profile to the gathering of people. Usually the most useful alternative for long, tight spaces like “storefronts”. Scenically, a profile theatre is practically similar to an arena stage; some arranging as the background is conceivable at the end. The Rose was worked in 1587 by Philip Henslowe and by a merchant named John Cholmley. It contained generous rose greenery enclosures and two structures; Cholmley utilized one as a storage facility, while Henslowe seems to have rented the different as a brothel. The Rose seems to have contrasted from different performance centres of the period in its capacity to organize extensive scenes on two dimensions. It is believed that every single Elizabethan auditorium had a restricted capacity to arrange scenes “aloft,” on an upper dimension at the back of the stage — as with Juliet on her gallery in Romeo and Juliet. 3) Dramatists The three biggest dramatists of established Greek theatre, Sophocles was a friend of Pericles and Herodotus, and a regarded native who held political and military workplaces in fifth-century B.C.E. Athens. He won acclaim by competing with the writer Aeschylus for a prize in heartbreaking dramatisation at Athens in 468 B.C.E. Just seven of his total plays have made to the modern period, however, he composed more than 100 and won first prize in 24 challenges. Best known are his three Theban plays, Antigone, Oedipus the King, and Oedipus at Colonus. At the start of the play, the city of Thebes is suffering horribly. Citizens are dying from the disease, crops fail, women are dying in pregnancy and their children are stillborn. A group of ministers comes to the royal palace to ask for help from Oedipus, their king who once protected them from the severity of the terrible Sphinx. Oedipus has already sent his brother-in-law, Creon, to the oracle of the god Apollo to attain out what can be done. Now Creon returns with the oracle’s news: for the plague to be raised from the city, the killer of Laius must be caught and punished. The Oracle insists that the murderer is still living in Thebes.

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