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Internal and external stakeholder

What is the difference between an internal and external stakeholder? What is the difference between key and secondary?
What three tasks comprise the “define scope” process? Why is scope definition important? What are two common causes of scope creep?
What is the difference between an activity and a work package? Why is it important to have a team member play “devil’s advocate”? What does this role entail?
Your post must be substantive and demonstrate insight gained from the course material.

Sample Solution

hallenges. Best known are his three Theban plays, Antigone, Oedipus the King, and Oedipus at Colonus. At the start of the play, the city of Thebes is suffering horribly. Citizens are dying from the disease, crops fail, women are dying in pregnancy and their children are stillborn. A group of ministers comes to the royal palace to ask for help from Oedipus, their king who once protected them from the severity of the terrible Sphinx. Oedipus has already sent his brother-in-law, Creon, to the oracle of the god Apollo to attain out what can be done. Now Creon returns with the oracle’s news: for the plague to be raised from the city, the killer of Laius must be caught and punished. The Oracle insists that the murderer is still living in Thebes. Oedipus curses the unknown murderer and swears he will find and punish him. He commands the people of Thebes, under suffering of exile, to give any information they have on the passing of Laius. Oedipus sends for Tiresias, the blind prophet, to help with the investigation. Tiresias comes but refuses to tell Oedipus what he has viewed in his foreshadowing visions. Oedipus summons Tiresias of playing a part in Laius’s death. Tiresias grows angry and says that Oedipus is the cause of the plague—he is the murderer of Laius. As the argument escalates, Oedipus accuses Tiresias of planning with Creon to overthrow him, while Tiresias hints at other terrible things that Oedipus has done. Whenever a reader wishes to give judgment on stories, they should consider the timeframe in which these plays are composed. For the Greeks, Fate applied a large power in individuals’ lives. Greek tragedy, as indicated by Kierkegaard, is fatalistic on account of the Greeks perception that every individual is ordered and absorbed in the classifications of state, family, and destiny. Given these opinions, there is an acknowledgement by the Greek audience of the actions of the mother and father who have expected that what they are indicated will happen in the event that they don’t act. To their state of mind, removing their child from their house is the most secure thing that the guardians of Oedipus can do in light of the fact that they should try to safeguard the life of the dad and the trustworthiness of the mother. In this manner, the defeat of Oedipus is an aftereffect of higher forces that exist beyond themselves and it’s anything but an outcome of his appropriate activities.

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