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Musical elements

“Kyrie” from Missa O Magnum Mysterium by the Renaissance Spanish composer Tomás Luis de Victoria.
Recognize and describe:
At least one example of each of the following musical elements: Rhythm, tempo, melody, harmony, timbre, texture, and form that are present in this particular composition, using specific musical terms learned in the course and descriptive adjectives. Examples of descriptive adjectives might include: a “menacing” melody, “triumphant” dynamics, or a “racing” tempo. Use your imagination!

Develop:
A conclusion about what the composer was trying to represent. [Might a “racing” tempo represent an attempt to escape from danger or dancing at a celebration?]

Interpret:
The composition’s emotional value, using language that describes emotional states. Does the music express joy, fear, pleasure, optimism, sadness?

Evaluate:
The composition’s creative quality: What makes this composition a valuable work of art?

Analyze:
Its personal effect on you. How does this work express aspects of the human condition? Does the music suggest a philosophy?

Sample Solution

We regularly consider ourselves our body, psyche, and feelings. We take these three components and make an amalgamation. Be that as it may, we likewise frequently talk about an individual's spirit. Is there any logical reason for the spirit? Shockingly, there is. Every interesting character an individual has (even in conditions of amnesia and different ailments), the inclination and personality of oneself past age (particularly experienced as we become more established), and our inescapable abstract understanding as an individual include a logical establishment for the spirit. Regardless of neuroplasticity, or the steady move in the connections between our synapses, we remain basically a similar character. This consistency is generally unmistakable on account of intellectually sick patients or individuals who have encountered memory misfortune. As indicated by Scientific American: In his book The Perpetual Now: A Story of Amnesia, Memory and Love, science columnist Michael Lemonick recounts to the tale of Lonni Sue, a business craftsman who endured cerebrum harm because of a viral disease. She was left incapable to review her past or to shape new recollections. Henceforth the book's title. Lemonick expected that Lonni Sue, when she lost her recollections, lost her self. Since what are we yet our recollections? In any case, when he found a workable pace Sue, just as individuals who knew her when her damage, Lemonick found that her self had not been devastated. She was as yet sprightly such that improved individuals around her vibe, and she was as yet inventive and lively, drawing pictures packed with visual and verbal plays on words. (Horgan, John) In this way, in spite of memory misfortune, we despite everything hold the embodiment of our character. Essentially, regardless of what befalls our cerebrum, our interesting character appears to radiate through. Other than one's character being available in spite of memory misfortune, the spirit of an individual can be distinguished through one's cognizance. Despite the fact that we normally relate to our body and what we find in the mirror, we likewise have a feeling that we are not a specific age—as our feeling of self as a rule inclines less on age and rather on our abstract sentiment of who we are fundamentally. As creator Cate Montana clarifies: Truly, my body is unquestionably more established. Be that as it may, "I" am definitely not. The pith that I call my "self" has not matured a day. Obviously, anyone more than forty knows this marvel. Sooner or later every individual on the planet glances in the mirror and says, "I can't trust I'm 42 (or 62 or 74 or 87 or… ). I'm precisely the same individual within. What the heck occurred?" ("Proof of the Soul.") Along these lines, we have a personality that is all the more a physical sign, and another character that exemplifies our character. Regularly, typically, individuals consider their to be as endless instead of bound by age. In conclusion, every individual is definitely emotional about their experience. In spite of people being extremely, like each other in DNA and by and large creation, our impression of the truth is inconceivably not quite the same as individual to person. As per Psychology Today, "While neuroscience has gained enormous ground lighting up the working of the cerebrum, why we have an emotional encounter stays secretive. The issue of the spirit lies precisely here, in understanding the idea of oneself, the "I" in presence that feels and lives. In spite of the fact that the current logical worldview depends on the conviction that the world has a goal spectator autonomous presence, genuine analyses recommend the exact inverse" ("Does The Soul Exist? Proof Says 'Yes'"). As the two-cut investigation has appeared, when presence is watched, it changes its organization. This is just one bit of the riddle that shows how "objective" the truth isn't anything but difficult to get a hold of. The spirit of an individual is amazingly testing to demonstrate experimentally. In any case, with every individual's character being interesting, the conduct nature of thinking about oneself past age, and our inescapable abstract understanding, we can say that the spirit has some premise in science. These substances of our conduct, character, and observation probably won't be tried stringently, however they are exceptionally hard to deny. Works Cited Horgan, John. "We Have Souls, thus Do Crows." Scientific American Blog Network, 21 Dec. 2017, blogs.scientificamerican.com/cross-check/we-have-spirits thus do-crows/. Montana, Cate. "Verification of the Soul." The Huffington Post, TheHuffingtonPost.com, 7 Dec. 2017, www.huffingtonpost.com/cate-montana/verification of-the-soul_b_10112150.html. "Does The Soul Exist? Proof Says 'Yes'." Psychology Today, Sussex Publishers, www.psychologytoday.com/intl/blog/biocentrism/201112/does-the-spirit exist-proof says-yes.
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