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Stakeholders play an important role for a successful change

Stakeholders play an important role for a successful change in proposing project implementation.According to the project management institute (PMI), the term stakeholder refers to, “an individual, group, or organization, who may affect, be affected by, or perceive itself to be affected by a decision, activity, or outcome of a project” (PandiPerumal et. al., 2015). When planning to initiate a project, the person or group responsible should determine which departments will be affected by the project and making sure that those departments are well represented among the key stakeholder groups (Kushan, 2017). For example, since my EBP project will be on surgical site infections, I plan to have the operating room (OR) suite, the floors(medical/surgical, intensive care unit [ICU]) where patients are sent to postoperatively, and the patients themselves to be apart of the project. There should be a liaison who makes sure that there are appropriate resources to act between the project group and its stakeholders. Kushan (2017) states that it is also important to consider potential obstacles to a successful implementation and to find stakeholder representatives who have insights to help predict these obstacles. increase. In health care, internal stakeholders operate primarily within the organization and consist of a variety of executives, including health care professionals, managers, and other staff with clinical and non-clinical roles (” Horev & Badad, 2005). Internal stakeholders play a key role in driving successful implementation by providing skills and knowledge and providing appropriate leadership to the organization to enable the proposed changes. (Griffiths, Maggs & George, 2007). Organizations have anesthesiologists, doctors, pharmacists, etc. who treat patients indirectly and directly, so they need to be involved in change. The support and cooperation of the proposed evidencedbased change from internal stakeholders is crucial for success. External stakeholders include patients, suppliers and financial organizations including government, health care insurance providers among others.External stakeholders, such as patients, can contribute to the EBP project by stating their concerns, opinions with the proposal. For example, my patients can contribute to my project by sharing their stories about their surgical site infections and why ithappened. Lastly, there must be continued engagement and communication between the project team and stakeholders in developing effective solutions.In order to acquire the support of my stakeholders, I would use several approaches by first creating awareness about the evidencedbased project. Other strategies to engage stakeholders would be to spend time and effort building trust, understand stakeholders` interests, solicit input from stakeholders, connect in a collaborative way, promote active engagement in establishing metrics and outcomes to be measured.

Stakeholder support is necessary for a successful project implementation. Consider your internal stakeholders, such as the facility, unit, or health care setting where the change proposal is being considered, and your external stakeholders, like an individual or group outside the health care setting. Why is their support necessary to the success of your change proposal, and how you will go about securing that support?

Sample Solution

nalysing the sonnet on its meter showed that it is in iambic pentameter and varies occasionally using an initial reversal in line 2 and mid-line reversals in lines 3, 4 and 12 thereby Shakespeare achieves a change in rhythm and builds up tension to create a faster or slowing movement. He also uses commas to give the reader some guidance and emphasise the depiction of his mistress in line 3 to 4 and more important to create pauses in performance in the rhyming couplet “And yet, by heaven, I think my love as rare” (Sonnet 130 line 13). This does not seem to contradict the sonnet form, not even the Shakespearean form. After pointing out the meter of the sonnet I would like to shed some light upon each quatrain and show the overall image that is being created. The typical Blazon to me seems to describe the loved one from head to toe as if the poet was gazing along the loved one’s body. My assumption, to me, is substantiated by the very first line and the appearing movement of the sonnet from her eyes in line 1, that are ‘nothing like the sun’, to her lips that are in no way as red as coral, to her hair (in this context supposedly on her shoulders) in line 3. Following this line 11 and 12 describe her walks on the ground in a treading manner. The first quatrain is written in a negative tone and describes the mistress body in 3rd person narrative. In line 1 he uses assonance that creates a melody with the words my, eyes, and like and implements the negative simile in “nothing like the sun” – a strong anti-Petrarchan image (line 1). Line 2 further plays with the comparisons of that time by comparing her lips red to that of coral, that his mistress apparently does not possess. A parallelism is to be observed in lines 3 and 4, not only at the beginning of the line but their syntactical structure as well. Overall, I perceive a shift in described colour from line 1 “nothing like the sun” followed through in line 2 “her lip’s red” continuing to line 3 “if snow be white, why her breast are dun” into line 4 “black wires” (lines 1-4) to more darker shades that perhaps represent the Dark Lady. Quatrain 2 changes the perspective as the narrator speaks in 1st person. The damasked roses belong to the semantic field of love and are typical Petrarchan imagery as well as the negative comparison of her breath to the delight of perfume. Alliteration is also dominant in line 7 with words like than, the, that, (and enjambed into line 8) there. Quatrain 3 beginning with the Volta, has a subtle shift of tone and perception, since it begins with “I love to hear her speak, yet well I know”, however turns again in line 10 as the narrator states that “music hath a far more pleasing sound”, perhaps stating that he likes the content of her utterances rather than the sound of her voice itself (line 9-10). Line 11 and 12 employ again a Pe
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